Chloe Piene

1972 born in the USA
lives and works in New York, USA and Berlin, Germany
Education
1993 Columbia University, New York, USA, BA
1997 Goldsmiths College, London, UK, MFA
Selected Solo Exhibitions
2017 “Surgery” Galerie Barbara Thumm, Berlin, Germany
2016 “At Ciú Cach Ro Genair/ I See All Who Are Born/ Empress” Galerie Heike Curtze & Petra Seiser, Wien/Salzburg, Austria
2015 “Valkyrie”, Susanne Vielmetter Projects, Los Angeles, USA
2013 “Zeichnungskammer”, Klemens Gasser & Tanja Grunert Inc., New York
2012 “Eiserne Frau”, Galerie Barbara Thumm, Berlin, Germany
MDD – Museum Dhondt-Dhaenens, Belgium
2011 Susanne Vielmetter Projects, Los Angeles, USA D‘Amelio Terras, New York, USA (with Roland Flexner)
“Malpertuis”, Galerie Nathalie Obadia, Brussels, Belgium
2010 Susanne Vielmetter Projects, Los Angeles, USA
Lithographic Print Edition, Highpoint Press, Minneapolis, USA
“See how the outer sun/ Hungers für the inner one”, Rotwand Gallery, Zürich, Switzerland
Alon Segev Gallery, Tel Aviv, Israel
2009 Barbara Thumm Gallery, Artforum Berlin, Berlin, Germany
2008 Klemens Gasser & Tanja Grunert, Inc., New York, USA
Chloe Piene and Hans Bellmer, Galerie Nathalie Obadia, Paris, France
2007 “Chloe Piene”, Galerie Barbara Thumm, Berlin, Germany
“Chloe Piene”, Carré d’Art – Musée d’Art Contemporain de Nîmes, France
“Chloe Piene”, Witte de With, Rotterdam, The Netherlands
“Bodies of Desire: Works on Paper by Willem de Kooning and Chloe Piene”, Locks Gallery, curated by Klaus Ottman, Philadelphia, USA
Alon Segev Gallery, Tel Aviv, Israel
2006 Lower East Side Print Shop, Benefit Etching edition of 75, New York, USA
2005 “Part I. Drawings”, Sandroni Rey, Los Angeles, USA
“Part II. Video”, Sandroni Rey, Los Angeles, USA
“Fade to White”, Vita Kuben, curated by Annee Olofsson, Umea, Sweden
Galerie Nathalie Obadia, Paris, France Mario Diacono, Boston, USA
2004 Klemens Gasser & Tanja Grunert, Inc., New York, USA
Kunsthalle Bern, Bern, Switzerland
2003 Klemens Gasser & Tanja Grunert, Inc., New York, USA
2001 Profounders Gallery, Helsinki, Finland
2000 Helsinki City Art Museum, Helsinki, Finland
Magazin4, Bregenz, Austria
Marianne Boesky Gallery, New York, USA
Selected Group Exhibitions
2017 “Gutes Sterben – Falscher Tod”, Museum für Neue Kunst Freiburg, Germany
2016 “The Collector’s Eye”, Musee d’Art Moderne et Contemporain, Strasbourg, France
2015 “The Bottom Line”, Smak, Ghent, Belgium
”The Marked Self”, curated by Roman Grabner, Neue Galerie Graz, Austria
“Körpersprache”, Galerie Curtze und Seiser, Salzburg, Austria
“Drawing Now”, curated by Elsy Lahner, Albertina, Vienna, Austria
“A Man Walks into a Bar – Jokes & Postcards”, curated by Franziska and Johannes Sperling, me Collectors Room – Stiftung Olbricht, Berlin, Germany
2014/15 “QUEENSIZE – Female Artists from the Olbricht Collection”, me Collections Room Berlin / Stiftung Olbricht, Berlin, Germany
2014 “Astralis”, L‘Espace culturel Louis Vuitton, Paris, France
2013 “Sculptrices”, Villa Datris, L’Isle sur la Sorgue, France FC, LMAK projects, New York, USA
Zeichnungskabinett, Klemens Gasser & Tanja Grunert,New York, USA
“Liebe, Tod und Teufel”, Kunsthalle des Von der Heydt-Museum, Wuppertal-Barmen, Germany
“Someone Else” Dunedin Art Gallery, New Zealand, touring exhibition: Villa Romana, Florence, Italy; Oberösterreichisches Landesmuseum, Linz, Austria
“Les Maîtres du Désordre” Fundacio la Caixa, Madrid, Spain
“the origin of the world the force of the source the cause of the vigor” Samson Projects, Boston, USA
2012 “Les Maitres du Desordre”, Musée des Arts Premiers, quai Branly, Paris, France
“Pauspapier” Charim Galerie, Vienna, Austria
“Itinerary” The Proposition, New York, USA
“Hors les murs” Galerie Nathalie Obadia, Brussels, Belgium
“Highpoint Editions: Decade One, Curated by Tom Rassieur” Minneapolis Institute of Arts, Minneapolis, USA
2011 “Figured Spaces: Selections from the John Morrissey Collection”, University Galleries, Florida Atlantic, USA
“Compass, MOMA”, Martin Gropius Bau, Berlin, Germany
“Malpertuis”, Galerie-Nathalie Obadia, Brussels, Belgium
“Dark Waters”, Station Platform, Belfast, UK
“Hans hat Glück”, Castle Gandegg, South Tyrol, Italy
2010/11 “Je mehr ich zeichne. Zeichnung als Weltentwurf”, Museum für Gegenwartskunst, Siegen, Germany
2010 “Männerbilder”, Galerie Amalienpark, Berlin, Germany
“Beaux Arts”, Galerie Sabine Knust, Munich, Germany
“NY / PRAGUE Frau”, Galerie Futures, Prague, Czech Republic
“Out Here In There” Leo Koenig Projekte, curated by Bill Saylor, New York, USA
“Thema Frau”, Galerie September, Berlin, Germany
“Compass in Hand”, Drawing in Contemporary Art Now, Museum of Modern Art, New York, USA
“Here She Comes,” Galerie Kewenig, Cologne, Germany; Fundación Pedro Barrié de la Maza, A Coruña, Spain
“Zeitgenossische Zeichnungen”, Museum Folkwang, Essen, Germany Alon Segev Gallery, Tel Aviv, Israel
“The Visible Vagina”, David Nolan Gallery and Francis M. Naumann Fine Art, New York, USA
“In Transit”, Rotwand Gallery, Zürich, Switzerland
“Traits Pour Traits”, Le FRAC Haute-Normandie, Sotteville-Rouen, France
2009 “Keeper of Light”, Sandroni.Rey, Los Angeles, USA
“Access All Areas,” Galerie Max Hetzler, Berlin, Germany
“Elles@centrepompidou. Women artists in the collections of the National Modern Art Museum Centre Pompidou”, Paris, France
“27 dessins pour le plaisir” Galerie de France, Salon du Dessin, Paris, France
“History of Violence”, curated by Hadas Maor, Haifa Museum of Art, Tel Aviv, Israel
“The Cunt Show” Galerie Kewenig, Cologne, Germany
“Self Service,” The Spaceship at Hayarkon, Jaffa, Israel
“ARTE Video Night,”ARTE television, France
“Momento Mori,” Musee D‘Evreux, Evreux, France
2008/09 “Diana und Aktaion. Der verbotene Blick auf die Nacktheit”,Stiftung Museum Kunst Palast, Düsseldorf, Germany
2008 ”Members Only,” Kunst-Werke Institute for Contemporary Art, Berlin, Germany
“Chloe Piene and Hans Bellmer”, Galerie Nathalia Obadia, Paris, France
“Auf Messers Schneide”, Werke aus der Sammlung J+C Mairet
“Geschlossene Gesellschaft / Imprisonment”, KW Institute for Contemporary Art, Berlin, Germany
“The Florence & Daniel Guerlain Collection: Select drawings”, Cultural Services of the French Emb. Picardie, Amiens, France
2007 “Drawing”, Florida State University, Tallahasee, USA
“Delicatessen”, Schmidt Center Gallery, Florida Atlantic University, Boca Raton, USA
“Animal,” Lumen Eclipse, Harvard Square, dawn to dusk, month long outdoor screening in “The Pit”, Cambridge, USA
“Small is Beautiful,” Klemens Gasser & Tanja Grunert, Inc., New York, USA
“wir sind paula – we are paula”, Künstlerhäuser Worpswede, Germany
“Automatic”, Franklin Parrasch Gallery, New York, USA
“Tease: Works on Paper”, Mireille Mosler, Ltd., New York, USA
“Between the Two Deaths,”, curated by Felix Ensslin and Ellen Blumenstein, ZKM, Karlsruhe, Germany Haifa Museum of Contemporary Art, Israel
“Zeichen und Zeichnung”, Charim Galerie, Vienna, Austria
2006 “Video”, Musee d’Art Contemporain de Montreal, Quebec, Canada
“I walk the lines”, Galerie Barbara Thumm, Berlin, Germany
“Street: Behind the Cliché”, Witte de With, Rotterdamm, The Netherlands
“Nouvelle fabriques d‘images et de sons,” Frac Limousin, Limoges, France
The Armory Show, New York, USA
“Realm of the Spirit”, Mike Weiss Gallery, New York, USA
“This is Not a Love Song,” Susanne Vielmetter Los Angeles Projects, Culver City, USA
“Streams of Story,” Tramway, Glasgow, UK
“Beautiful Stranger”, Remont Gallery, Belgrade, Serbia Cluster, Participant Inc., New York, USA
ARS 06, Kiasma, Helsinki, Finland
2005 “Masculinities”, Neuer Berliner Kunstverein, Berlin, Germany
“Vertiges”, Printemps de Toulouse Festival, Musée des Abattoirs, Toulouse, France
“Drawings”, Musée St. Etienne, St. Etienne, France
“No Ordinary Sanctity” DeutsheBank and Thaddeus Ropac, Salzburg, Austria
“Blonde Revolution”, New York, USA
“Old and New Dreams”, Artprojx, London, UK
“Split Subjects”, De Appel, Amsterdam, Netherlands
“Getting Emotional,” Institute of Contemporary Art, Boston, USA
“Créatures Hybrids et Mysterieuses,” Musée des Beaux Arts de Rouen, France
“Works on Paper,” Galerie Max Hetzler, Berlin, Germany
“Contemporary Erotic Drawing,” Aldrich Museum, Ridgefield, USA
“Will Boys Be Boys?” Museum of Contemporary Art, Denver, USA; CAMH, Houston, USA; Salinas Art Center, Salinas, USA
2004 “Noctambule” Fondation Dosne – Bibliotheque Thiers, Paris, France
“Boys Behaving Badly” Contemporary Arts Museum, Houston, USA
“Thriller” Edmonton Art Gallery, Edmonton, Canada Whitney Biennial, Whitney Museum of American Art, New York, USA
“Esprit” Galerie Nathalie Obadia, Paris, France
“Videodrome II” Bates College Museum of Art, Lewiston, USA
“Videodrome: 27 International Artists” Klausner Gallery, California, USA
2003 “Me and More” Kunstmuseum Lucerne, Switzerland
“Lust and Leisure” Voges and Diesen, Frankfurt, Germany
“Paradigms” Longwood Art Gallery, New York, USA
Art Unlimited, Basel Art Fair, Basel, Switzerland
“Love and Hate” Ursula-Blickle-Stiftung, Germany
“Losing It” Fenton Arts Gallery, Cork, Ireland
“Video Topiques” MAMCS, Strasbourg, France
2002 Liverpool Biennial, Tate Liverpool, Commission by FACT, UK
“Videodrome”, New Museum of Contemporary Art, New York, USA
“Inside the Whale”, Klemens Gasser & Tanja Grunert, Inc., New York, USA
2001 “Tattoo Show”, Modern Art, Inc. London, UK
“Legitimate Theatre”, Los Angeles County Museum of Art, Los Angeles, USA
“Anxiety Disorder”, Galerie Voges + Diesen, Frankfurt, Germany
2000 “New Video”, Barbara Gross Galerie, Munich, Germany
“Her(s)”, Johanneum, Graz, Austria
Catalogues
2015 Malbert, Robert: ”Drawing People:The Human Figure in Contemporary Art”, Distributed Art Pub., 2015
2007 “Chloe Piene” (exh.cat.), with essay “At hand” by Barry Schwabsky, Carré d’Art – Musée d’Art Contemporain de Nîmes, 2007
“between two deaths” (exh.cat.), Ellen Blumenstein and Felix Ensslin (Eds.), ZKM Karlsruhe and Hatje Cantz Verlag, Ostfildern, 2007
“Hellbound”, Edited by Francesca Gavin, Laurence King Publishing, London, 2007
“Frozen Tears III”, Edited by John Russel, Central Books, London, 2007
“Ice Cream: Contemporary Art and Culture”, Phaidon Press, 2007
2006 Phonecall, by Chloe Piene, One Star Press, Paris, January 2006
2005 Vitamin D, Essay on Chloe Piene by Barry Schwabsky, Phaidon Press, 2005
Egon Schiele, Statement by Chloe Piene, Neue Galerie, New York, 09.2005
Masculinities, Neuer Berliner Kunstverein, Berlin, November 2005
Printemps de Septembre a Toulouse Volume 2: “Vertiges” Les presses du reel, September 2005
“Getting Emotional”, (exh.cat.) The Institute of Contemporary Art, Boston, May 2005
“Contemporary Erotic Drawing”, (exh.cat.) The Aldrich Contemporary Museum, May 2005
Collection and New Acquisitions, Walker Museum of Contemporary Art
2004 Perspectives 142: Boys Behaving Badly, Contemporary Arts Museum Hous ton, pp. 12 – 13, June 2004
2003 Love-Hate, Ursula-Blickle Stiftung, Germany, Fall 2003
2002 Video Topiques, Les Musees de Strasbourg, October, 2002
2001 Hers, Steirischer Herbst, January 2001
Articles
2015 Kunstforum International, “Queensize – Female Artists from the Olbricht Collection”, by Michael Nungesser, issue 231, 02/03 2015, pp. 250-251
2012 Berlin Art Journal “The Iron Woman” January 12, 2012
Stamford University Press “THE AESTHETICS OF HATE” by Sandrine Sanos, 2012
Kunstbeeld “Chloe Piene” NR 4, 2012 Anthology, edited by Dane Patterson, 2012
Berliner Morgenpost ”Wenn Architekten auf die schiefe Bahn geraten” by Tim Ackermanns, Feb. 2012
Der Tagesspiegel (Kunst & Markt) “Eiserne Hände” by Christiane Meixner, February, 2012
Artinvestor “Hammer Frau!”, February, 2012
The Witness “Artist Feature #13: Chloe Piene” January, 2012
“Intersecare” by Spencer Topel; Decomposition of Bach‘s Cello Suites with Sleeper 06, Cornell University, March, 2012
Berliner Zeitung “Eiserne Lady in Zauberkasten” by Irmgard Berner, Jan. 17. 2012
Süddeutsche Zeitung, exhibition review by Kito Nedo, January 14 – 15, 2012 Zitty 05 – 2012
“Chloe Piene: Eiserne Frau” February, 2012
2011 “Compass, Drawings of the Museum of Modern Art”, New York edited by Christian Rattemeyer, Martin Gropius Bau Berlin,
2 Ferocitas Lions, Ferocitas Lions, The Edge, 2011
Arts Libre “Facettes de Soi et de L‘Autre” by Jean Marc Bodson, November 18th, 2011
H Art “Chloe Piene” by Christine Vuegen, March 3rd, 2011
Arts Libre “A Chacun Son Etage” by Claude Lorent, March 3rd, 2011
L‘Express, “Theatre Macabre”, January 28, 2012
Absinthe, Cover and Insert
2010 Border Crossings, Foldout, Volume 29, Number 3, Issue No. 115
“Location”, Location Artist Books & Editions, Minneaplois
2009 “Compass in Hand. Selections from the Judith Rothschild Foundation Contemporary Drawings Collections”, Steve Pulimood, Art in America International review, 26. Mai 2009
Art in America, “Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collections” review by Steve Pulimood, May 26th, 2009
“Compass in Hand: MoMA Pushes the Envelope in Works on Paper”, Roberta Smith,The New York Times, April 24, 2009, Seite C27.
Diaries of a Young Artist, Shelly Bancroft, Peter Nesbett, Rebecca Sears, New York 2009
Gothic: The Evolution of a Dark Aesthetic, by Catherine Spooner, Kim Newman, Gilda Williams and Mick Mercer, Carlton Books, London, 2009
2008 ”Guter Geschmack ist langweilig”, Gunnar Luetzow, Berliner Morgenpost, 26. September 2008, Seite 22
TRANSATLANTICO, with Ann Sofi-Siden, Berlin, April, 2008
”Geballte Entladung”, Kurators Liebling von Ina Lockhart, Financial Times Deutschland, Freitag, 26. September 2008, Seite 32
”Chloe Piene‘s new Skullptures”, a Review by Tim Maul, Afterart New, July 11 2008
”Chloe Piene”, Review by Anne Doran, Time Out New York, June 4 2008
2007 Le Figaro, ”Chloe la barbare et Jeppe le trublion . . .” by Valérie Dupochelle, p. 24, December 28, 2007
Le Monde, ”Chloe Piene, cris et ricanements” by Philippe Dagen, p. 25, November 15, 2007
La Marseillaise, ”L’art entre pulsion de vie et de mort” by M & J Latorre, Novermber 10, 2007
Le Figaro, ”Berlin devient la capitale sereine des artistes” by Valérie Duponchelle, October 4, 2007
artnet, “Vom Abgrundtief Anderen – Chloe Piene bei Barbara Thumm, Berlin”, by Anne Haun, 20 November 2007
Berliner Zeitung, “Allein im Wald”, by Dominikus Müller, November 20, N. 271 p. 21
”Der Tod und das Mädchen” artist portrait by Oliver Koerner von Gustorf, Monopol Magazine, Nr. 11/2007, November, 2007
Style Magazine Berlin, ”Chloe Piene” by Marcus Woeller, p. 125, March 2007
Spike Art Quarterly, Review, ”Chloe Piene at the Witte de With” by Ines Gebetsroither, pp. 90 – 91, May 2007
Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Summer 2007
Harvard Review #32, Cambridge, 2007
Philadelphia Weekly, ”Double Exposure” by Carmen Winant, January 31, 2007
Haaretz, ”The American Nightmare” by Smadar Sheffi, January 24, 2007
Haaretz, ”Desire Strong as Death” by Uzi Zur, January 23, 2007
Time Out Tel Aviv, ” Thuggery ” by Lea Abir, January 12, 2007
2006 ARTnet Magazin, ”Provocative Realism” by Donald Kuspit, December 18, 2006
ARTnews, ”Making Skin Crawl” by Hilarie M. Sheets, pp. 102, 104, September 2006
ID Magazine, ”Chloe Piene: Bite the Bullet ” by Melissa Gronlund, p. 36, June / July 2006
ARTnews, “The Big Draw” by Hilarie M. Sheets, pp. 98-103, January 2006
2005 Modern Painters, “Chloe Piene” by Joshua Mack, November 2005
L‘Humanité, “Toulouse s‘abandonne aux ‚Vertiges‘” by Magali Jauffret, September 27, 2005
La Liberation, “Toulouse Art-Corps” by Brigitte Ollier, September 27, 2005
Le Figaro, “Chloe Piene, La Centaure” by Valerie Duponchelle, p. 12, September 9, 2005
Telerama, “Chloe Piene” by Adrienne Farb, pp. 90-91, September, 2005
Artdaily.com, “Artists ‚Getting Emotional‘ in a New Exhibition”, August 30, 2005
NRC, ”Bellenblaas uw tekening gerust ” by Marianne Vermeijden, August 2005
Art Actuel, “Que d` emotions!” by John Peter Brakewood, 07/08 2005
Vogue Italia, “Chloe Piene Cut Through” by Mariuccia Casadio, pp. 359 – 364, July 2005
The Boston Globe, “Sweet Emotion”, July 12, 2005
IN Newsweekly, “It‘s totally gay, sort of” by Dan Delgado, p. 14, July 27, 2005
Sunday Advocate, “Defining Eroticism in a Techno-porn Consumer Culture” by L.P. Streitfeld, July 10, 2005
Artdaily.com, “Contemporary Erotic Drawing at The Aldrich”, June 8, 2005
Artpresse, Review, “Chloe Piene” by Jean-Pierre Criqui, June 2005
Flash Art, News, “On Now, On Soon,” p. 83, May/June 2005
The Boston Globe, “Getting in touch with their feelings” by Christine Temin, May 22, 2005
The New York Times, “Erotic Goes Mainstream” by Benjamin Genocchio, May 8, 2005
Boston/NE Gallery Guide, “Spotlight: Getting Emotional,” May 2005
Boston Magazine, “Sweet Emotion” by Steve Jermanok, p. 245, May 2005
Le Monde, “Les Corps Déchirés de Chloe Piene” by Philippe Dagen, April 30, 2005
Museums Boston, “Tear Jerker”, p. 24, Spring/Summer 2005
Rocky Mountain News, “Personal Experience Filters ‚Boys‘” by Voelz Chandler, February 18, 2005
Houston Press, “Hot Ass Art” by Steven Devadanam, January 27, 2005
2004 IIssue Magazine, “Chloe Piene, Petit Mort” by Simon Watson, Issue 8, Fall 2004
New York Magazine, “Show and Tell”, p. 136, November 29, 2004
Flash Art, “Noctambule” by Craig Garrett, p. 60, October 2004
Houston Press, “In the Male” by Keith Plocek, August 5, 2005
See Magazine, “Visual Arts Review: Thriller” by Natasha Mekhail, July 8, 2004
Tema Celeste, “New York 03-13-04” by Dan Cameron and Arthur C. Danto, pp. 48-57, May/June 2004
Flash Art, “Whitney Biennial 2004: A Good Looking Corpse” by Melissa Dunn, pp. 63, 80, May/June 2004
Saint Louis Times, “Art‘s Really Big Show” by David Bonetti, May 2, 2004
Columbia News, “Six Columbia Alumni Selected for Whitney Biennial” by Kristin Sterling, April 2, 2004
Arte, “Alla Biennale del Whitney: Torna la Pittura” by Renato Diez, pp.104 – 111, April 2004
The Brooklyn Rail, Cover Art and “2004 Whitney Biennial” by Megan Heuer, p. 17, April 2004
Neue Zürcher Zeitung, “Die neue Bescheidenheit” by Andrea Köhler, March 25, 2004
Arts Journal.com, “Modern Arts Note‘s Five Fave Young Biennialists” by Tyler Green, March 24, 2004
The New Yorker, “What‘s New: The Whitney Biennial” by Peter Schjeldahl, pp. 100-101, March 22, 2004
The Globe and Mail, “Art in a Tremulous Time” by Sarah Milroy, Mar 17, 2004
Philadelphia Inquirer, “Art: A View From The Front Line” by Edward J. Sozanski, March 14, 2004
slate.msn.com, “The Whitney Museum‘s escapist, moderate 2004
“Biennial” by Mia Fineman, March 12, 2004
The New York Times, “Touching All Bases at the Biennial,” by Michael Kimmelman, Arts p. 1, 38, March 12, 2004
The New York Sun, “Snapshots – and Painting! – From the Cutting Edge” by Daniel Kunitz, March 11, 2004
The New York Times, “Art That Speaks To You. Literally.” by Roberta Smith, Arts p. 30, March 7, 2004
Basler Zeitung, “Kunsthalle Bern: Chloe Piene” by kng, February 28, 2004
Kunst-Bulletin, “Chloe Piene in der Kunsthalle Bern” by Alice Henkes, February 20, 2004
Le Temps, “Ces pulsions obscures…” by Philippe Mathonnet, February 17, 2004
Bernerbar, “Chloe Piene,” February 12, 2004
Le Monde, “Chloe Piene Filme La Nuit en Plein Jour” by Philippe Dagen, p. 30, February 11, 2004
Bieler Tagblatt, “Der verfuhrerische Geschmack des Todes” by Annelise Zwez, February 11, 2004
Praxis, “Austellung: Kunsthalle Bern, Chloe Piene,” February 11, 2004
Aargauer Zeitung, “Im Ausnahmezustand” by Barbara Miesch, January 31, 2004
Linth Zeitung, “Ein allzeit verfugbares Studienobjekt” by sfd, January 31, 2004
Der Bund, “Radikale Körperstudien” by Marianne Mühlemann, Kultur p.13, January 30, 2004
Berner Zeitung, “Schwere Lebenstänze in Schwarz” by Konrad Tobler, p. B7, January 30, 2004
Chloe Piene, Essays by Bernhard Fibicher and Lee Triming, Kunsthalle Bern, January 2004
Artforum, Preview, “Chloe Piene, Kunsthalle Bern” by Frances Richards, p. 80, January 2004
Museums Magazines, New York Edition, Cover Art, 2004
Museums New York, Art Beat, p.17, Winter 2004
Museums New York, Museums Collect, “Activist Trustee: The Judith Roth schild Foundation” p. 4, Winter 2004
Berner Zeitung, “Schwere Lebenstänze in Schwarz” by Konrad Tobler, p. B7, January 30, 2004
2003 Die Wochenzeitung, Review, “Chloe Piene” by Edith Krebs, August 28, 2003
Art in America, Review, “Chloe Piene” by Nancy Princenthal, pp. 91 – 92, July 2003
Art Press, News, “Chloe Piene” by Charles-Arthur Boyer, pp. 68 – 69, June 2003
Flash Art, Review, “Chloe Piene, Gasser & Grunert” by Maika Pollack, p. 90, May/June 2003
Artforum, Review, “Chloe Piene, Klemens Gasser & Tanja Grunert” by Frances Richards, pp. 168 – 169, May 2003
New Yorker Magazine, Chelsea Art Galleries, “Chloe Piene at Gasser & Grunert,” March 14, 2003
Irish Times, Reviews, “Losing It” by Mark Ewart, March 2003
Art in Ireland, “Losing It,” March 2003
The Examiner, “Losing it Lets it All Hang Out,” March 2003
Flavorpill.net, New York Art, “Chloe Piene at Gasser & Grunert” by Paul Laster, February 2003
Women‘s Wear Daily, “Video Stars,” p. 4, January 7, 2003
2002 MAKE Magazine, Interview with Lisa Prior, pp. 36 – 37, Special Edition #92, 2002
Cabinet Magazine, image insert, “Self Portrait with Dog” December 2002
Flash Art, “The Liverpool Biennial” by Lee Triming, pp. 41, 50, November/December 2002
Liverpool Biennial Liverpool International, Tate Museum Liverpool, September 2002
New York Times, “Inside the Whale” by Ken Johnson, February 8, 2002
2001 Smock, “Smock Off the Wall,” image, pp. 122 – 123, Spring/Summer 2001
Helsinki Sanomat “Kalevala on Voimakas ja Brutaali” by Leena Honkavaara, May 5, 2001
Helsinki Sanomat, “Pienesta nakee” by Pessi Rautio, April 5, 2001
Flash Art, News, “Insider Trading,” March/April 2001
Los Angeles Times, “A Poignant Intersection of Fantasy and Reality” by David Pagel, May 29, 2001
München Kultur, “Vorsicht! Weibliches Terrain” by Anne Erfle, February 20, 2001
Münchner Merkur No. 21, “Video,” January 26, 2001
2000 Zing Magazine, “3D-Archnemesis” curated by Sebastiaan Bremer, Issue 11, Winter 2000
Frieze, Review, “Chloe Piene at Marianne Boesky” by David Hunt, pp. 108 – 109, June/July 2000
Hufvudstadsbladet, “Focus på psyket” by Maria Hirvi, June 1, 2000
Helsinki Sanomat, “Valtapeliä video-installaatioissa” by Marja-Terttu Kivirinta, May 27, 2000
Vorarlberger Nachrichten, “Crashkurs für Selbstdarsteller,” May 3, 2000
Neue Voralberger Tageszeitung, ”Sich Selbst Inszenieren” by Inge El-Himoud-Sperlich, April 29, 2000
Vorarlberger Nachrichten, ”Ausstellung Chloe Piene im magazin4 in Bregenz,” April 27, 2000
Kuva, ”Itsekkäitä äyriäisiä ja vankilakirjeenvaihtoa” by Laura Honkasalo, pp. 6 – 7, April 3, 2000
Flash Art, Review, ”Chloe Piene at Marianne Boesky ” by Lisa Prior, p. 114, March / April 2000
New Yorker Magazine, Soho Art Galleries, Chloe Piene at Marianne Boesky, January 6, 2000
Collections
Burger Collection, Berlin, Germany
Centre national d‘art et de culture George Pompidou, Paris, France
FNAC, France
FRAC, France
Fonds national d’art contemporain, France
Fonds régional d’art contemporain Haute-Normandie, France
Fonds régional d’art contemporain Limousin, France
Herbert F. Johnson Museum, Cornell University, Ithaca, USA
Museum of Contemporary Art, Los Angeles, USA
Museum of Modern Art, New York, USA
Sammlung Hoffman, Berlin, Germany
San Francisco Museum of Modern Art, San Francisco, USA
Walker Art Center, Minneapolis, USA
Whitney Museum of American Art, New York, USA