Diango Hernández

1970 born in Sancti Spiritus, Cuba
lives and works in Duesseldorf, Germany
Education
1994  Degree at Havana Superior Institute of Design, Havana, Cuba
Awards/Grants
2016
2014
2013

2012

2010
2009
2008
2007

2005
2001
1998
1997

lonelyfingers at Lodgers, M HKA Antwerp, Belgium
Artist in residence, Salzamt, Linz, Austria
Best special exhibition of the year 2013. AICA, Germany (International Association of Art Critics) lonelyfingers-Konversationsstücke at Museum Abteiberg, Germany
Premio Rotary Club, MIART, Milan, Italy
Artist in residence, Fondazione Brodbeck, Catania, Italy
Blood Mountain Foundation Residency, Budapest, Hungary
Rubens-Young Art Award, Museum for Contemporary Art, Siegen, Germany
Rubens-Förderpreis der Stadt Siegen, Germany
Premio ICONA, Verona, Italy
Artist in Residence, FRAC de la Loire, France
Artist in Residence, Mönchengladbach, Germany
ArtPace, Artist in Residence, San Antonio, Texas, USA
Artist in Residence, Ludwig Forum für Internationale Kunst, Aachen, Germany
Artist in Residence, “Apocalypso”, Banff Centre for the Arts, Alberta, Canada
Collaborations
2012
2007-10
1994-03
“Lonelyfingers”, together with Anne Pöhlmann
“Sunstate”, together with Mouse on Mars
“Ordo Amoris Cabinet”, together with Juan Bernal (until 1995)/Manuel
Piña (until 1995)/Ernesto Oroza (until 1996)/Francis Acea (until 2003)
Solo Exhibitions (selected)
2017 “Sobre las olas (Über allen Wellen)”, curated by Meike Behm, Kunsthalle Lingen, Germany
“Her Holidays”, Nicolas Krupp, Basel, Switzerland
2016 “Theoretical Beach.”, curated by Stefanie Kreuzer, Museum Schloss Morsbroich, Leverkusen, Germany
“Marina”, Galerie Barbara Thumm, Berlin, Germany
“Beach, a longing”, curated by Susanne Meyer-Büser, Kunstsammlung Nordrhein Westfalen, K21, Düsseldorf, Germany
“Hurricanes”, FL Gallery, Milan, Italy
2015/16 “Time Islands and Space Islands”, MOSTYN, Llandudno, Wales UK
2015 “Eugene”, Kunsthalle Münster, Germany
“Words to sea”, curated by Gianni Jetzer, ArtBasel Unlimited, with Marlborough Contemporary / Alexander and Bonin / Barbara Thumm / Nicolas Krupp, Basel, Switzerland
“The book of waves”, Marlborough Contemporary, London, UK
“Layout for Flavor Orbit and Orange Curtain”, curated by Jacopo Crivelli Visconti, SP-ARTE with Galerie Barbara Thumm, São Paulo, Brazil
2014 “By all means I am here”, curated by Katerina Gregos, Solo, Art Brussels with Marlborough Contemporary, Brussels, Belgium
“Circling in loop”, curated by Delfim Sardo, Est Art Fair with Marlborough Contemporary, Estoril, Portugal
“In hazard, translated”, curated by Simone Neuenschwander, Kunstverein Nürnberg, Germany
“Socialist nature”, curated by Gerhard Obermüller, Landesgalerie Linz, Austria
“First declaration”, curated by Alfredo Cramerotti, Mostyn, Wales, UK
2013 “Komplette zimmer”, Capitain Petzel, Berlin, Germany
“The importance of a line”, curated by Nuno Faria, Porta33, Madeira, Portugal
“The new man and the new woman”, Marlborough Contemporary, London, UK
“The editionx”, dh artworks, Duesseldorf, Germany
2012 The stamps that never travelled and the birds that never flew”, Benveniste Contemporary, ARCO, Madrid, Spain
“Folded tiger”, Philara, Sammlung zeitgenössischer Kunst, Duesseldorf, Germany
“Drawing the human figure”, curated by Nuno Faria, Fondazione Brodbeck, Catania, Italy
2010/11 “A kiss, a hat, a stamp”, Blood Mountain Foundation, Budapest, Hungary
2011 “Line Dreamers”, Haus im Süden c/o BOUCHERIE, Cologne, Germany
“Diango Hernández, Living rooms, a survey”, curated by Yilmaz Dziewior, MART, Rovereto, Italy
“The Stamps that never travelled and the birds that never flew”, Benveniste Contemporary, Madrid, Spain
“If I send you this” Alexander and Bonin, NY, USA
“Crystal clear”, Nicolas Krupp Galerie, Basel, Switzerland
2010 “Diango Hernández Museums selected works 1996-2010”, Galerie Michael Wiesehöfer, Cologne, Germany
2009 “Losing you Tonight”, 6. Rubensförderpreis der Stadt Siegen, Museum for Contemporary Art, Siegen, Germany
“The importance of a line” (curated by Nuno Faria), Porta33, Madeira, Portugal
“La Historia, Mi Juguete Preferido”, Pepe Cobo y Cia, Madrid, Spain
“Diango Hernàndez:TH-INK”, Alexander an Bonin, New York, USA
2008 out-of-place artifacts (OOPArt)”, Galerie Barbara Thumm, Berlin & Galerie Michael Wiesehöfer, Cologne, Germany
“Inspire me again”, Stella Lohaus Gallery, Antwerpen, Belgium
“Diamonds and Stones: My Education”, Federico Luger Gallery, Milan, Italy
2007 “Objects of Ridicule”, Alexander and Bonin, New York, USA
“Victoria”, National Museum, Warsaw, Poland
“Power Pencil”, Paolo Maria Deanesi Gallery, Rovereto, Italy
“Swans without a Lake”, Neuer Aachener Kunstverein, Aachen
2006 “Revolution”, Kunsthalle Basel, Switzerland
“Dictators”, Frehrking Wiesehöfer, Cologne, Germany
“Spies”, Alexander & Bonin, New York, USA
“Traitors”, Galeria Pepe Cobo, Madrid
2005 “The Museum of Capitalism”, Altes Museum, Mönchengladbach, Germany
“Revantgarde”, Paolo Maria Deanesi Gallery, Rovereto, Italy
2004 “Democracy”, Kunstverein Arnsberg (with Boris Michailov), Germany
“Amateur”, De Vleeshal, Middelburg, Netherlands
2003 “Amateur”, Frehrking Wiesehöfer, Cologne, Germany
D. H. as member of “Ordo Amoris Cabinet”
2002 “Sweet Home”, Espacio Aglutinador, Havana, Cuba
2001 “Mousepads and Screensavers”, ArtPace Foundation for Contemporary Art, San Antonio, Texas,
USA
“Network Transmission /mSummer Days”, Adamski Frehrking Wiesehöfer, Cologne, Germany
1999 “Esta cerca es provisional: evite ser requerido/This is a provisional Fence: Keep Out”, Center for the Development of the Visual Arts, Havana, Cuba
1997 “Hiking Raffle”, Banff Centre for the Arts, Alberta, Canada
“Hormigon armado/Reinforced Concrete”, Center for the Development of the Visual Arts, Havana, Cuba
1996 “Agua con azucar y La muestra provisional / Sugar Water and The Provisional Show”, Center for the Development of the Visual Arts, Havana, Cuba Museo de Arte Contemporaneo y Diseffo (MACD), San José, Costa Rica
Group Exhibitions (selected)
2017 “EXIT”, curated by Adam Carr, Rodolphe Janssen Gallery, Brussels, Belgium
“On the Horizon: Selections from the Jorge M. Pérez Cuban Art Collection”, curated by Tobias Ostrander, Pérez Art Museum Miami (PAMM), USA
“PRODUCTION. made in germany three”, Kestnergesellschaft, Hannover, Germany 
“Luther und die Avantgarde”, Altes Gefängnis, Wittenberg, Germany
“Your Story! Geschichten von Flucht und Migration”, Kunsthalle Emden, Germany
“Who Pays?”, Kunstmuseum Liechtenstein, Liechtenstein
“Skulptur im Foto”, Skulpturenmuseum Glaskasten Marl, Germany
2016/17 “Gruppenbild”, Galerie Barbara Thumm, Berlin, Germany
“Tropical Punch”, curated by keen on magazine, Galerie Nathalie Halgand, Vienna, Austria
“We Call It Ludwig”, 40th anniversary of the Museum Ludwig, artistic director Yilmaz Dziewior, Museum Ludwig, Cologne, Germany
2016 “Only In The Western World” curated by Luigi Fassi, Mario Mauroner Contemporary Art (MAM), Vienna, Austria
“Relevant Notes”, Cara Gallery, New York, USA
“I call it Lüttgen”, Galerie Markus Lüttgen, Cologne, Germany
“Kaleidoscope And Puzzles in the MUSAC Latin American Collection” curated by Wendy Navarro, Centro Atlántico de Arte Moderno – CAAM, Las Palmas, Spain
“Transhumance” curated by Sara Alonso Gómez, CAB Brussels, Belgium
“This Is Your Replacement” curated by Adam Carr, Sies + Höke, Duesseldorf, Germany
2015 “War II – History Series“, curated by Adam Carr, MOSTYN, Llandudno, Wales UK
“Rate of Exchange” – German artists from the State of NRW in Croatia, curated by Nataša Ivančević and Nikola Ukić in cooperation with Kunsthalle Düsseldorf (Germany), Muzej Suvremente Umjetnosti Zagreb, Croatia
“Trio Biennal”, 1st Rio de Janeiro Biennial 2015, curated by Marcus de Lontra Costa, Rio de Janeiro, Brazil
“The art of the Turks. Modernisation as Fiction”, curated by Manuel Graf and Hans-Jürgen Hafner, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
“El péndulo de Foucault”, curated by Alejandro Machado, 12 Bienal de la Habana, Havana, Cuba
“The Rates of Exchange”, Museum of Contemporary Art Zagreb, Croatia
“Piano pieces”, curated by Martin Hochleitner, Salzburg Museum, Salzburg, Austria
“I never thought I’d see you again. Painting History”, Marlborough Contemporary, London, UK
“Birds, plants and a chair”, Kadel Willborn, Duesseldorf, Germany
2014-15 “Entorno crítico”, CAB de Burgos, Spain
“Beyond the supersquare”, curated by Holly Block, Bronx Museum, NY, USA
2014 “Summerstage”, Galerie Barbara Thumm, Berlin, Germany
“BRINGING LIGHT INTO A WINDOWLESS ROOM”, Capitain Petzel, Berlin, Germany
“Power of chi”, SPREEZ e.V., Munich, Germany
“New Paintings”, Alexander and Bonin Gallery, New York, USA
“The marvelous real”, curated by Kristine Guzmán, Yuko Hasegawa and Hikari Odaka, Museum of Contemporary Art, Tokyo, Japan
International Biennial of Contemporary Art of Cartagena de Indias, curated by Berta Sichel, Cartagena, Colombia
2013-14 “Salon distingué – Household effects in good company”, curated by Nadia Schneider Willen, Museum Langmatt, Baden, Switzerland
2013 “HERstories”, curated by Christina Végh and Fanny Gonella, Bonner Kunstverein, Bonn, Germany
“Six memos for the next …”, curated by Wolfgang Fetz, Jörg van den Berg, Sandra Boeschenstein, Barbara Köhler, Schirin Kretschmann and Tilo Schulz, Magazin4 Bregenzer Kunstverein, Bregenz, Austria
“Misunderstandings and other circumstances”, curated by Anna Heidenhain and Kristina Kramer,Polistar, Istanbul, Turkey
“The marvelous real”, curated by Kristine Guzmán, Yuko Hasegawa and Hikari Odaka, MUSAC, Leon, Spain
“Lessons of darkness”, curated by Nuno Faria, José De Guimarães International Centre For The Arts, Guimarães, Portugal
“lonelyfingers. Konversationsstücke”, curated by Susanne Titz, Museum Abteiberg, Moenchengladbach, Germany
“The Feverish Library”, Capitain Petzel, Berlin, Germany
“Arqueológica”, curated by Virginia Torrente, Matadero, Madrid, Spain
“Triennale der Kleinplastik in Fellbach”, curated by Yilmaz Dziewior, Fellbach, Germany
“Politics: I do not like it, but it likes me”, curated by Agnieszka Kulazinska and Dermis P. León, LAZNIA Centre for Contemporary Art, Poland
2012 Newtopia: The State of Human Rights”, curated by Katerina Gregos, Mechelen, Belgium
“Chaotic trajectories”, curated by Thomas Rehbein, Temporary Gallery, Cologne, Germany
“The castle in the air. Séance of Imagination”, curated by Adam Budak, Poznan, Poland
2011 „Sammlung im Prozess”, curated by Georg Elben, Skulpturenmuseum Glaskasten Marl, Marl, Germany
“Hans hat Glück”, Castle Gandegg, Appiano, Italy
“The silver show”, NAK, Aachen, Germany
“Entropia, Philara – Sammlung zeitgenössischer Kunst“, Duesseldorf, Germany
“DC Bonus”, Galerie Schmidt Maczollek / Galerie Michael Wiesehöfer / Galerie Thomas Zander, Forum für Fotografie, Cologne, Germany
“New Space”, Federico Luger, Milan, Italy
“Colors for a new home, Signs of love and other paintings”, Alexander and Bonin, NY, USA
“Fronteras en mutación, en tránsito of Bridges and Borders”, (fase III) CCEBA, Centro Cultural de España en Buenos Aires, Argentina
“Local host, (International artists in – from NRW)”, Ausstellungshalle Zeitgenössische Kunst, Muenster, Germany
“Tracks”, Kunstmuseum Liechtenstein, Liechtenstein
“Drawings wall”, Paolo Maria Deanesi Gallery, Rovereto, Italy
2010 “Neues Rheinland. Die postironische Generation”, Museum Morsbroich, Leverkusen, Germany
“Drawings”, Alexander and Bonin NY, USA
“Face to Face”, Pepe Cobo y Cia, Madrid, Spain
“Touched”, The 10th Liverpool Biennial, curated by Peter Gorschlüter, Tate Liverpool, UK
“The New Décor”, curated by Ralph Rudolf, Hayward Gallery, London, UK
Garage CCC, Moscow, Russia
“Star City”, curated by Alex Farquharson, Nottingham Contemporary, Nottingham, UK
“Who wants to use my window?”, Paolo Maria Deanesi Gallery, Rovereto, Italy
“Goldene Zeiten”, curated by Patrizia Dander and Julienne Lorz, Haus der Kunst, Munich, Germany
“Modelos para Armar: Thinking Latin America from the MUSAC Collection”, Spain
“A Philosophical Enquiry into the Origin of our Ideas of the Fear and Terror”, curated by Helmut Friedel and Giovanni Iovane, Galleria Gentili, Prato, Italy
“Languages and Experimentations”, MART Rovereto, Italy 11th. Triennale der Kleinplastik Fellbach bei Stuttgart
2009 “Ordinary Revolutions”, Museum Morsbroich, Leverkusen, Germany
“Das Gespinst”, Museum Abteiberg, Moemchengladbach, Germany
“Danielle Kawaaitaal and Diango Hernandez”, Monkeys Island, Cologne, Germany
“Precarious Form”, Galerie Meyer Kainer, curated by Veit Loers, Viena, Austria
“ev + a 2009, Reading the City”, Limerick City, Ireland
“Cambio de Aceite”, Pepe Cobo and Cia, Madrid, Spain
2008 On Air”, curated by Huh joung-en, Künstlerverein Malkasten, Duesseldorf
“BAGHDAD/SPACE COG/ANALYST”, curated by Andrew Renton, Frith Street Gallery, London, UK
“Wessen Geschichte”, Kunstverein in Hamburg, Germany
2007  “Como vivir juntos”, Museo de Arte Contemporáneo, Santiago de Chile
“Andrzej Wroblewski 1927-1957/Project”, The National Museum in Warsaw, Poland
“Connected”, Altes Museum Moenchengladbach, Germany
“Mr. President”, University Art Museum, Albany, NY, USA
“Made in Germany”, Kunstverein Hannover, Germany
2006 “The Unhomely: Phantom Scenes in Global Society”, 2. Bienal Internacional de Arte Contemporáneo de Sevilla, Seville Biennal
“Como viver junto”, 27. Sao Paulo Biennial, Brazil
“Zones of Contact”, Biennial of Sydney, Austrailia
“Biennale Cuvée”, O.K. Centrum für Gegenwartskunst, Linz
2005 “Always a little Further”, Arsenale, 51. Venice Biennial, Venice, Italy
“Lichtkunst aus Kunstlicht”, ZKM/Museum für Neue Kunst, Karlsruhe
“Roboter”, Opelvillen, Ruesselsheim, Germany
“Biwak”, Frehrking Wiesehöfer, Cologne, Germany
“Opening”, Paolo Maria Deanesi Gallery, Rovereto, Italy
“Nuovo Segnale”, Federico Luger Gallery, Milano, Italy
2004 “Flesh at War with Enigma”, Kunsthalle Basel, Switzerland
“doku/fiction. Mouse on Mars – reviewed & remixed”, Kunsthalle Duesseldorf, Germany
“Jahresgaben 2004”, Kunstverein Arnsberg, Arnsberg, Germany
“Jahresgaben 2004”,Westfälischer Kunstverein, Muenster, Germany
“In Ictu Oculi”, Pepe Cobo Gallery, Sevilla, Spain
“Wildlife 04 final”, Sommerpalast, Neuss, Germany
“Bookies”, M29 Brückner + Richter, Cologne, Germany
“Mideo/Fear”, Pepe Cobo Gallery, Sevilla, Spain
“With Eyes of Stone and Water”, Gallery 3,14, Bergen, Norway*
2003 8. Havana Biennial, Cuba
“Stretch”, Power Plant Gallery, Toronto, Canada
2002 “Prophets of Boom. The Schürmann Collection”, Kunsthalle Baden-Baden, Germany
“With Eyes of Stone and Water”, Helsinki Art Museum, Finland
“Atravesados. Deslizamientos de identidades y géneros”, Fundación Telefónica. Madrid, Spain
“FITAC. VIII foro sobre teoría del Arte Contemporáneo”, Monterrey, México
“La Huella Múltiple”, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
2001 Short Stories”, La Fabbrica del Vapore, Milano, Italy
“Un dia como otro cualquiera/A day like any other day”, 7. Havana Biennial, Cuba
“I am Cuba Double play”, Tirana Biennial, Albania
2000 “La conjuncion de la nada/The conjunction of nothingness”, Center for the Development of the Visual Arts, Havana, Cuba
1999 “CUBA”, Presentl. Barbican Centre, London, UK
“Thinking Aloud”, Camden Art Centre, London, UK
1998 Antennas: Network Transmission/Taxi-Limosina. Provisional Utopias”, Ludwig Forum für Internationale Kunst, Aachen/Kunsthaus Berlin, Germany
“Il Salon de arte cubano contemporanso”, Center for the Development of the Visual Arts/Centro de Arte Contemporáneo Wifredo Lam/CENCREM/Fototeca de Cuba. Havana, Cuba
“Thinking Aloud”, Hayward Gallery, London; Kettle‘s Yard, Cambridge; Cornerhouse, Manchester, UK
“Entropy at Home”, Schürmann Collection, Suermondt-Ludwig Museum, Aachen, Germany
“The Campaign Against Living Miserably”, Royal College of Art, London, UK
1997  “The Russian mountain”, 3. Manifestation Internationale Vidéo et Art Électronique, Montreal, Canada
“Rompiendo los moldes”, 6th Havana Biennial, Cuba
1996 “Ultimas Noticias”, Galería de Matanzas, Cuba
1995 “Una de cada clase – Next Generation Show” Centro de Arte y Diseño, Havana, Cuba
Publications/Catalogues
2015 “Rates of Exchange ”, curated by Natasa Ivancevic and Nikola Ukic, Museum of Contemporary Art, Zagreb, Croatia
2012 “Lonelyfingers”, Published by Georg Elben, Skulpturenmuseum Glaskasten Marl, Texts by Georg Elben and Diango Hernández, DISTANZ Verlag, Berlin
2011 Home”, Published by Alexander and Bonin Publishing, Text by Patrizia Dander and Diango Hernández
“Living Rooms, a Survey”, Edited by MaRT, Museo di Arte Moderna e Contemporanea di Trento e Roverto, Texts by Yilmaz Dziewior, Luigi Fassi, Vanessa Joan Müller
2010 “Golden Times”, (exh.cat). Haus der Kunst, München.
“The New Décor”, (exh.cat.) Hayward Publishing Southbank Centre, London
2009 “Losing You Tonight”, Edited by Eva Schmidt, Museum für Gegenwartskunst Siegen, Texts by Diango Hernández, Yilmaz Dziewior, Nuno Faria, Juan Antonio Molina, Giovanni Iovane, Adam Szymczyk, Published by Sternberg Press, 2009
2008 Diamonds and Stones: My Education”, Edited by Lisette Lagnoado and Django Hernández, Published by Damiani, 2008
“out-of-place artifacts (OOPArt)”, Text by Ernesto (Che) Guevara Guerrila Warfare written in 1961, Published by Galerie Michael Wiesehöfer and Galerie Barbara Thumm
2007 Swans Without a Lake”, (exh.cat.), Neuer Aachener Kunstverein
“Power Pencil”, Published and Produced by Paolo Maria Deanesi, 2007
“Swans without a lake”, Edited by Melanie Bono, Published by NAK – Neuer Aachener Kunstverein, 2007
2006 “Zones of Contact”, (exh.cat.), Sydney Biennial
2005 The Museum of Capitalism”, Published by Städtisches Museum Abteiberg, Mönchengladbach, 2005
“Always a Little Further”, (exh.cat.), 51. International Art Exhibition, La Biennale di Venezia, Venedig
“revantgarde”, Paolo Maria Deanesi Gallery, New York (Monograph)
2004 “doku/fiction: Mouse on Mars: Reviewed & Remixed”, (exh.cat.), Kunsthalle Düsseldorf, Berlin, Germany
D. H. as member of “Ordo Amoris Cabinet”
2002 “Cuba – with Eyes of Stone and Water”, exh.cat., Helsinki City Art Museum, Helsinki, Sweden
Winzen, Matthias (e.d.),”Prophets of Boom: Collection Schürmann”, exh.cat., Staatliche Kunsthalle Baden-Baden, Cologne, Germany
2001 “Short Stories”, exh.cat., La Fabrica del Vapore, Milano, Italy
“Dreaming Red – Creating ArtPace”, exh.cat., ArtPace, San Antonio, Texas, USA
Block, Holly, “Art Cuba: The Next Generation”, exh.cat., New York, USA
“Atravesados. Deslizamientos de identidad y género”, Havanna, Cuba
1999 Eligio, Antonio (Tonel), “Esta cerca es provisional / Evite ser Requerido”, (This is a Provisional Fence / Keep Out), exh.cat., Edition: Ordo Amoris Cabinet, Havana, Cuba
Hernandez, Orlando, “Trabajando Pa‘l Inglé”, exh.cat., Barbican Centre, London, UK
1998 “Provisorische Utopien”, exh.cat., Ludwig Forum für Internationale Kunst, Aachen, Germany
Yedgar, Ariella, “The Campaign against living Miserably”, Royal College of Art, London, UK
1997 Hernandez, Helmo, “Hormigón Armado” (Reinforced Concrete), Edition: Ordo Amoris Cabinet
“Utopian Territories: New Art from Cuba”, Vancouver, Canada
Articles
2014 Forbes, Alexander: “Art Brussels Powers Ahead as European Sales Platform for Young Artists”, artnet.com, 04/28/2014
Forbes, Alexander: “Who’s Bringing What? Galleries Reveal Offerings for Art Cologne “, artnet.com, 04/07/2014
2010 Lorch, Catrin: “Diango Hernández”, frieze, issue 129, March 2010, p.134 2009 Imdahl, Georg: “Flirt mit Aliens”, artnet.com 11/13/2009
Eva-Christina Meier: “Unsere Unterentwicklung ist nicht mental”, Taz, 09/10/2009, p.15
2008 John Quin: “Diango Hernandez”, MAP, Issue 16, winter 2008/09
Zinser, Daniela: “Alle Macht dem Betrachter”, Berliner Zeitung, No.224, 09/23/2008, p.23
Seyfarth, Ludwig: “Mit Steinen auf Konventionen”, artnet magazine 09/11/2008
Hinrichsen, Jens: “Ab dem 30. August: In Köln und Berlin wirft Diango Hernández Licht aufs Licht”, monopol, No.9, 2008, S.130
2006 Simone Neuenschwander, Diango Hernández: “Conversation”, Kunsthalle Basel 04, Jan. 2006, Basel, Switzerland
2005 Revuelta, Laura: “Diango Hernández”, ARCO 05, Madrid
Tomasini, Marco: “Hernández in Biennale”, l‘Adige, Trento, Italy
Anke Kempkes: “Palabras”, Always a Little Further. 51st International Art Exhibition, Venice, Italy
2004 León, Dermis Pérez: “Diango Hernández: Amateur”, Art Nexus No.52, Volume 3/2004, USA
2001 Eligio, Antonio (Tonel): “Culture and Society in the Work of Cuban Artists.”, in „Art Cuba: The New Generation”, New York
Quinones, Paul: “Short Stories: La Fabrica del Vapore, Milano”, Flash Art 2001, Italy
2000 Fernandez, Frencis: “Rusty Scope’ from Cornell to Resnor”, Arte Cubano 3
Rodriguez, Hilda: “Espacios para una comunicaciòn deseada”, Arte Cubano 3
1999 Grant, Simon: “Imagination at full stretch”, Evening Standard, London, 03/12/1999
Fuentes, Elvis: “Tan lejos tan ‘cerca”, La Gaceta de Cuba, No. 8
Eligio, Antonio: “Esta cerca es provisional / Evite ser Requerido”, Revista La Gaceta de Cuba
Eligio, Antonio (Tonel): “Por la Habana en Limosina”, La Gaceta de Cuba, No.6, S.22
Hunt, Ian: “Thinking Aloud”, Art Monthly, Feb. 1999
1998 Greess, Gabriela: “Überlebenskunst”, Süddeutsche Zeitung, July, Germany
Becker, Wolfgang: “Provisorische Utopien”, Ludwig Forum Aachen, Germany
1997 Moya, Nelson: “Agua con Azucar y Muestra Provisional 1 en el MADC”, Fanal 14, Spain
1996 Molina, Juan Antonio: “Ordo Amoris. Hacia un diseño pragmatico”, La Gaceta de Cuba, No.4
1995 Alberdi, Virginia: “The Next Generation”, Arte Cubano 2
Collections
Museum Abteiberg Moenchengladbach, Germany
Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Städtisches Museum Abteiberg, Moenchengladbach, Germany
INHOTIM Centro de Arte Contemporânea, Belo Horizonte, Brasil
Galleria d’Arte Moderna Palazzo Forti, Verona, Italy MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy
Museum für Gegenwartskunst, Siegen, Germany
Rheingold Collection, Duesseldorf, Germany
The Museum of Modern Art, New York, USA
The Collection of Contemporary Art of the Federal Republic of Germany
FRAC des Pays de la Loire, Carquefou, France
Museo de Arte Contemporáneo de Castilla y Leon, (MUSAC), Spain
Collectión Bergé, Madrid, Spain