Fernando Bryce

1965 born in Lima, Peru
lives and works in Berlin, Germany and New York, USA
Education
1986-90
1984-86
1983-84
1982-83
École des Beaux-Arts, Paris, France, with Christian Boltanski
Université Paris VIII Arts Plastiques, France 
Private Studios Leslie Lee, Lima, Peru 
Pontificia Universidad Católica del Perú, Lima, Peru
Awards / Grants
2009
2005
2000
Scholarship at the Deutsche Akademie Rom Villa Massimo, Italy
Arbeitsstipendium Bildende Kunst, Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany 
Prize of the Bienal Nacional de Lima, Peru
Selected Solo Exhibitions
2017 “Unvergessenes Land”, Kunsthalle Bremen, Germany
2015 “new work”, Alexander and Bonin, New York, USA
2014 “To The Civilized World“, Galerie Barbara Thumm, Berlin, Germany
2011/12 “Drawing Modern History”, MALI – Museo de Arte de Lima, Peru (touring exhibition: 2012, MUAC/Mexico City, Mexico and MALBA/Buenos Aires, Argentina)
2011 “El Mundo en Llamas”, Alexander & Bonin, New York, USA
2010 “L´Humanité“, Galerie Joan Prats, Barcelona, Spain
2009 “An Approach to the Museo Hawai”, Museum Het Domein, Sittard, Netherlands
2008 Galerie Barbara Thumm, Berlin, Germany
2006 Galerie Joan Prats, Barcelona, Spain
2005 Galerie Barbara Thumm, Berlin, Germany
Tapiés Foundation, Barcelona, Spain
Konstmuseet Malmö, Sweden
2003 Raum für Aktuelle Kunst Luzern, Switzerland
2002 “Visión de la Pintura Occidental”, Galerie Barbara Thumm, Berlin, Germany
“Turismo/El Dorado – Alemania 98”, Künstlerhaus Bethanien, Berlin, Germany
2001 Sala Luis Miró Quesada Garland, Lima, Peru
1999 Casa Museo José Carlos Mariátegui, Lima, Peru
1998 Galerie Barbara Thumm, Berlin, Germany
Galeria Forum, Lima, Peru Studio Galerie, Haus am Lützowplatz, Berlin, Germany
 1997 Rådhusgalleriet, Kungälv, Sweden
Galería Trilce, Lima, Peru
1995 Galería Trapecio, Lima, Peru
1992 Galerie Traude Näke, Nürnberg, Germany
Selected Group Exhibitions
2017 “Congress for Cultural Freedom” (working title), curated by Anselm Franke, Nida Ghouse, Paz Guevara, Antonia Majaca and Michael Vazquez, HKW – Haus der Kulturen der Welt, Berlin, Germany
“Next Stop. Peruvian Artists in the Hochschild Collection”, Sala Alcalá 31, Madrid, Spain
“Be My Memory. A Selection of Contempoary Art from Peru”, curated by Miguel A. López, Y Gallery, New York, USA
2015/16 “Displaced Images / Images in Space”, curated by Gerardo Mosquera, Alexia Tala & Vanessa Hernández Gracia, IV Poly/Graphic San Juan Triennial: Latin American and the Caribbean
2015 “Another Part of the New World”, curated by Ferran Barenblit and Elena Yaichnikova, Moscow Museum of Modern Art, Russia
“Der rote Faden”, Kunsthaus Erfurt, Germany
“THEOREM. You Simply Destroy the Image I Always Had of Myself” curated by Octavio Zaya, Mana Contemporary, Jersey City, New Jersey, USA
2014 “No Man’s Land”, Gonzalez y Gonzalez, Lima, Peru
“Slow Future”, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
“Summerstage”, Galerie Barbara Thumm, Berlin, Germany
“Ravaged – Art and Culture in times of conflict”, M – Museum Leuven, Belgium
2013/14 “LINIE, LINE, LINEA. Zeichnung der Gegenwart”, curated by Volker Adolphs, Casa Republicana, Biblioteca Luis Ángel Arango, Bogotá, Colombia
2013 California – Pacific Triennial, The Orange County Museum of Art, Newport Beach, California, USA
Yerbabuena Center for the Arts, curated by CAAC – Centro Andaluz de Arte Contemporáneo, San Francisco, USA
2013/12 “Futbol. Arte y pasión”, curated by Patrick Charpenel and Mauricio Maillé, Museo de Arte Contemporáneo de Monterrey, Nuevo León, Mexico
“Tracing the Century: Dawings as a Catalyst for Change”, Tate Liverpool, UK Taipei Biennial 2012, curated by Anselm Franke, Taipei, Taiwan
“Tomorrow was already here”, curated by Julieta Gonzales, Museo Rufino Tamayo, Mexico City, Mexico, “Stimuli”, Alexander and Bonin, New York, USA
2011 “A Terrible Beauty Is Born”, 11th Biennale de Lyon, France
“Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance”, Dublin Contemporary 2011, curated by Jota Castro and Christian Viveros- Fauné, Dublin, Ireland 8t Mercosur Biennial, Porto Alegre, Brazil
“Papiers Inspirés”, Fonds Canson pour l‘art et le papier, l‘Hotel de Sauroy, Paris, France
“11th Biennale de Lyon”, France “Historias de la Vida Material”, Fundación Helga de Alvear, Cáceres, Spain
“Drawn from Photography”, The Drawing Center, New York, USA
“Compass in Hand: Selection from the Judith Rothschild Foundation Contemporary Drawungs Collection”, Martin Gropius Bau, Berlin, Germany
2010 “Model Kits. Thinking Latin America from The MUSAC Collection”, MUSAC – Museo de Arte Contemporáneo de Castilla y León, Spain
“Artes Mundi 4 – Arts of the world”, National Museum Cardiff, Cardiff, UK
“Linie. Line. Linea. Zeichnung der Gegenwart”, organised by Institut für Auslandsbeziehungen e.V. (ifa), Kunstmuseum Bonn, Germany
“Die Nacht der Villa Massimo”, February 25th , Martin-Gropius-Bau, Berlin, Germany
2009 “Berlin meets Vienna”, Salon Österreich, curated by Peter Lang, Austria
“Conflicting Tales: Subectivity (Quadrilogy, Part 1)“, The Burger Collection, Berlin, Germany
“Desenhos [Drawings]: A-Z”, Museu da Cidade, Lisbon, Portugal
“Compass in Hand: Selection from the Judith Rothschild Foundation Contemporary Drawings Collection”, Museum of Modern Art, New York, USA
“Pabellón de la Urgencia, Murcia. The Fear Society”, curated by Jota Castro, Biennale Venezia 53rd International Art Exhibition, Italy “The End of the Line: Attitudes in Drawing”, Hayward Touring, in coll. Middlesbrough Institute of Modern Art (MIMA) and The Bluecoat, Liverpool, and in partnership with The Drawing Room, London; Middlesbrough Institute of Modern Art, Middlesbrough; Bluecoat, Liverpool; City Museum and Art Gallery, Bristol; The Fruitmarket Gallery, Edinburgh, UK
“El pasado en el presente y lo propio en lo ajeno”, LABoral Centro de Arte y Creación Industrial, Gijón, Spain 10th Biennale of Havana, Cuba
2008/09 “Die Tropen – Ansichten aus der Mitte der Weltkugel”, Martin Gropius Bau, Berlin, Germany
“Ritornell”, Galerie im Taxispalais, Insbruck, Austria
2008 28th Bienal de Sao Paolo, Brazil
“Brave New Worlds”, Colección Jumex, Mexico
2007/08 “Os Trópicos/Die Tropen”, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
2007 “Taking Time/Tiempo al Tiempo”, MARCO, Museo de Arte Contamporánea de Vigo, Spain
“Otras Contemporaneidades, Convivencias Problemáticas”, in Encuentro entre dos Mares – Bienal de Sao Paulo – Valencia, Spain
“Made in Germany”, Sprengel Museum Hannover, Kunstverein Hannover, Kestner Gesellschaft, Hannover, Germany
“Poetics of the Handmade“, MOCA, Los Angeles, USA
“Existencias. Colección MUSAC”, MUSAC, León, France
“Brave New Worlds”, Walker Art Center, Minneapolis, USA
2006/07 “Out of Time: A Contemporary View”, Museum of Moder Art, New York, USA
“VAC – Colección Valencia Arte Contemporáneo”, IVAM, Valencia, Spain
2006 “I Walk the Lines”, Galerie Barbara Thumm, Berlin, Germany
“Abgebrannt”, Kunstbank in Berlinische Galerie, Berlin, Germany
“Mental Image”, Kunstmuseum St. Gallen, St. Gallen, Schweiz
“SPEED”, Galerie Barbara Thumm, Berlin, Germany
“Down by Law”, Whitney Museum of American Art, New York, USA
“Michael Borremans, Fernando Bryce, Dan Perjovschi. Zeichnungen”, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany
2005/06 “T1 – The Pantagruel Syndrome”, Triennale Turin, Castello di Rivoli Museo d‘arte Contemporanea Torino, curated by Francesco Bonami and Carolyn Christov-Bakargiev, Turin, Italy
“Drawing from the Modern 1975-2005“, curated by Jordan Kantor, MoMA, New York, USA
“Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper.”, Andrea Rosen Gallery, New York, USA
“Monuments for the USA”, White Columns, New York, USA
2005 “Eindhovenistanbul”‚ Van Abbemuseum, Eindhoven, Netherlands
“3 or 4 stories”, Galeria Helga de Alvear, Madrid, Spain Tropical Abstraction, Stedelijk Museum Bureau Amsterdam, Netherlands “Fokus Istanbul – Urbane Realitäten”, Martin-Gropius-Bau, Berlin, Germany
“Monuments for the USA”, CCA Wattis Institute for Contemporary Art, San Francisco, USA
2004/05 54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA
“Instinctive”, Latin American Artists selected by Mario Testino at Andrea Rosen Gallery, New York, USA
2004 26th Biennial of Sao Paulo, Brazil
“Schrift-Bilder-Denken. Walter Benjamin und die Kunst der Gegenwart”, Haus am Waldsee, Berlin, Germany
“Based on a True History”, Artists Space, New York, USA
“MoMA at El Museo: Caribbean and Latin American Art of the Twentieth Century”, El Museo del Barrio, New York, USA
“Termite Art Against White Elephant. Actual Behaviour of Drawing”, Museo Colecciones ICO, Fundacion ICO, Madrid, Spain
3rd Berlin Biennial for Contemporary Art, KW Institute for Cont. Art, Martin-Gropius-Bau, Berlin, Germany
“Global World/Private Universe”, Kunstmuseum St. Gallen, Switzerland
2003 50th Biennial of Venice, Latin-American pavilion (with Gilda Mantilla), Italy
“Poetic Justice/Siirsel Adalet”, curated by Dan Cameron, Istanbul Biennial, Turkey
“To Be Political It Has To Look Nice”, curated by Pablo León de la Barra, Apexart, New York, USA
“Present Perfect”, GB Agency – Christophe Dabiet Théry, Paris, France
“Stranger in the Village. Contemporary Drawings and Photographs from The Museum of Modern Art, New York”, Guild Hall, East Hampton, USA Marlborough Gallery, curated by Kevin Power, Madrid, Spain
2002/03 “Benjaminiana”, curated by Rodrigo Quijano, Centro Cultual de Espana, Lima, Peru
2002 Manifesta 4 – Europäische Biennale Zeitgenössischer Kunst, Frankfurt/Main, Germany Bienal Iberoamericana de Lima, Peru
Busan Biennale 2002, Seoul, South Korea
“Mallki: La Exhumacion Simbolica en el Arte Peruano 1980-2002”, curated by Gustavo Buntinx, Centro Cultural de San Marcos, Lima, Peru
2001 “Politicas de la Diferencia. Arte Iberoamericano fin de Siglo”, Museo de Arte Latinoamericano de Buenos Aires, Argentinia “Resistencias”, curated by Luis Lama, Casa de America, Madrid, Spain Track 16 Gallery, Santa Monica, USA
2000 “The Power of Narration: Mapping Stories”, Espai D’Art Contemporani de Castello, Spain Cutting Edge, ARCO, curated by Kevin Power, Madrid, Spain
Bienal Nacional de Lima, Peru
“Dessins”, Galerie Carousel, Paris, France
1999 “El Laberinto de la Choledad”, Museo de Arte de Lima, Peru
“Realidad”, Centro Cultural Ricardo Palmo, Lima, Peru
1998 “Viaje A La Luna”, Centro Cultural de Espana, Lima, Peru
1996 “Techniques and Ideas in Creativity”, The Living Art Museum, Reykjavik, Iceland
Galerie West Werk, Hamburg, Germany
1995 “The Edward Hyde Collection of Contemporary Art”, Galerie West Werk, Hamburg, Germany
Catalogues
2014 “Re-Producing History. Interview with Fernando Bryce”, in: Art and Culture in Times of Conflict. Contemporary Reflections, M – Museum Leuven (Ed.), Leuven 2014, p. 74-81
2012 “Fernando Bryce: Drawing modern history”, exh. cat., Museo de Arte de Lima: MALI
2011 “Kolonial Post”, MUSAC: Museo de Arte Contemporáneo de Castilla y León Sardo, Delfim. Stories of Material Life: People, Places, Things, Events, Fictions. Cáceras, Spain: Centro de Artes Visuales-Fundación Helga de Alvear Cáceres
2010 “Linie. Line. Linea. Zeichnung der Gegenwart”, exh. cat., Institut für Auslandsbeziehungen e.V. (ifa), Elke aus dem Moore (Hrsg.), Stuttgart, Germany 2010
“The Art of Tomorrow”, Hoptman, Laura, Yilmaz Dziewior and Uta Grosenick, Berlin: DISTANZ Verlag
2009 “Américas”, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico
“Compass in Hand”, Selections from The Judith Rothschild Foundation, (exh.cat.), MoMA, Museum of Modern Art, New York, USA, 2009
2007 “Taking Time – Tempo ao Tempo”, exh.cat., MARCO, Museo de Arte Contamporánea de Vigo, Vigo, Spain 2007
“The Tropics: views from the middle of the globe”, exh.cat., Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil, 2007
“Brave New Worlds”, exh.cat., Walker Art Center, Minneapolis, USA 2007
“Made in Germany”, exh.cat., Sprengel Museum Hannover, Kunstverein Hannover, Kestner Gesellschaft, Hannover, Hatje Cantz Verlag, Germany 2007
“Poetics of the Handmade”, exh.cat., Museum of Contemporary Art, Los Angeles, USA, 2007
2006 “Michael Borremans, Fernando Bryce, Dan Perjovschi. Zeichnungen/ Drawings” Württembergischer Kunstverein Stuttgart, Germany, 2006
“Fernando Bryce”, Galeria Joan Prats, Barcelona, Spain, 2006
“Arquivar tormentas. Coleccións ARCO e CGAC”, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain, 2006
2005 “Fernando Bryce. Atlas Peru”, artist book, Museo de Arte de Lima, (ed.), 5 books in a box: Turismo-El Dorado, Atlas Peru 1932-1959, Atlas, Peru 1960-1967, Atlas Peru 1968-1979, Atlas Peru 1980-2001, Lima, Peru 2005
“Drawing from the Modern 1975-2005”, exh. cat., The Museum of Modern Art, New York, USA, 2005
“Urbane Realitäten: Fokus Istanbul”, exh. cat., Martin-Gropius-Bau Berlin, Germany, Künstlerhaus Bethanien GmbH, 2005
“Fernando Bryce”, edited by Helena Tatay, exh. cat., Fundació Antoni Tàpies, essays by Rodrigo Quijano, Kevin Power, Gustavo Buntinx and Helena Tatay, Barcelona, Spain, 2005
“Eindhovenistanbul”‚ exh. cat, Van Abbemuseum, Eindhoven, The Netherlands, 2005
“Monuments for the USA”, exh. cat., CCA Wattis Institute for Contemporary Art, San Francisco, USA, 2005
2004 54th Carnegie International, Carnegie Museum of Art, exh.cat., Pittsburgh, USA, essay by Cuauhtémoc Medina: “On the past as a treasure of images”, p. 86-89
26th Biennial of Sao Paulo, Sao Paulo, Brazil, exh. cat., Sao Paulo 2004, essay by Rodrigo Quijano, p. 72-75
“MoMA at El Museo: Caribbean and Latin American Art of the Twentieth Century“, El Museo del Barrio, New York, USA
3. Berlin Biennial for Contemporary Art, exh. cat., Berlin, Germany 2004, p. 56-57
“Global World/Private Universe“, Kunstmuseum St. Gallen, essay by Konrad Bitterli: “Eintauchen in die Geschichte einer Nation. Fernando Bryces Atlas Peru”, Nürnberg, Germany 2004, p. 38-41
2003 “Fernando Bryce”, Thumm & Kolbe (ed.) in collaboration with Galerie Barbara Thumm, Berlin, Germany 2003
“Poetic Justice / Siirsel Adalet”, 8th International Istanbul Biennial, exh. cat., Istanbul, Turkey 2003
“Archipiélago de Imágenes”, 50esima Esposizione Internazionale d’Arte – Biennale di Venezia, exh. cat., IILA Pavillon – The Countries of Latin America Fernando Bryce, Berlin, Germany 2003
“Diciendo lo que me pasa por la Mente”, exh.cat., Marlborough Galerie, Madrid, Spain
2002 Manifesta 4 – Europäische Biennale Zeitgenössischer Kunst, Manifesta 4 (ed.), Ostfildern-Ruit, Germany Puntos Cardinales 2001 – 4 Artistas visuales peruanos, Lima Bienal Iberoamericana de Lima, Lima Catalogues Cont., 2001
“Politicas de la Diferencia. Arte Iberoamericano fin de Siglo”, exh. cat., Museo de Arte Latinoamericano de Buenos Aires, Brazil “Resistencias”, Casa de America Track 16 Gallery, Santa Monica, USA
“Politicas de la Diferencia. Arte Iberoamericano fin de Siglo”, exh. cat., Museo de Arte Latinoamericano de Buenos Aires, Brazil “Resistencias”, Casa de America Track 16 Gallery, Santa Monica, USA
“Ich heisse nicht Juanita” Smart Art Press, Santa Monica, USA
2000 “The Power of Narration: Mapping Stories”, Espai D’Art Contemporani de Castello Bienal Nacional de Lima Puntos Cardinales, 2001, Jorge Villacorta, Galeria Luis Miroquesada, Lima, Peru
Own Publications
2003 “Atlas Perú: un essayo artístíco de reconstrucción critica de la Historia de Perú”, in: Humbolt 139, Goethe Institut, Germany
Articles
2014 Tom Peters: “M Museum explores Leuven wartime destruction”,04/15/14 G.D.: “Art and conflict – Theravages of the war”, The Economist, 03/23/14
2013 “The Artist and the Propaganda Machine: How Fernando Bryce Retells 20th-Century History”, Deutsche Bank Art Mag, issue 78
2012 “The Artist and the Propaganda Machine: How Fernando Bryce Retells 20th-Century History”, Deutsche Bank Art Mag, issue 78 2012
Ana Martinez Quijano: “Fernando Bryce: The World through the Line.” Arte al Dia International (Nov. – Dec. 2012), p. 75-77
Isausa Ruiz: “Fernando Bryce.” ArtNexus (No. 85, Volume 11, 2012), p. 92-93.
Lainie Liberti: “Fernando Bryce: His Art and History – A News Worthy Art Exhibit”, 05/17/12
Daniel Quiles: “Fernando Bryce.”, Artforum (March 2012), p. 298
2011 Carlos Jiménez: “A Terrible Beauty is Born: The Lyon Biennial or the Vindication of Literature and Theatricality.” ArtNexus (no. 83 vol. 10), p. 70-76
Elisabeth Kley: “Fernando Bryce.” ARTnews Vol. 110 No. 8. (Sept. 2011), p. 116
2010 Carlos Jiménez: “Fernando Bryce. El copista intempestivo”, in: ArtNexus, No 76, Volume 9, 2010, p. 44-49
Susan Mansfield: “Art review: The End of the Line: Attitudes in Drawing”, The Scotsman, 11/30/09
2009 “Underlining drawing‘s”, The Journal, 02/21/09 “The End of the Line: Attitudes in Drawing”, South Bank Centre, Feburar.
“Swinging the lead”, The Crack magazine, April 2009, p.40
Pitman, Joanna, “Skills from the top drawer”, The Times, March 2009, p. 14
“Ritornell”, kultur-online, 01/17/09
2008 Miriam Basilio: “Fernando Bryce – Drawing, Mimetic Analysis and the Archive”, Arte al Día International, Issue 125, Nov. 2008
“Fernando Bryce”, in: Monopol, Dec. 2008
Ulrich von Döltzschen: “Ein Zeitalter wird besichtigt”, weltonline
Katrin Bettina Müller: “Zeichnungen von Fernando Bryce bei Barbara Thumm”, tip berlin, 12/02/08
Christina Wendenburg: “Südamerikanische Kunst erobert Manhattan”, in: welt.de, 11/29/08
Carlo Trivelli: “Lecciones de historia”, in: El Comercio.com.pe, 11/09/08
Artnet Questionnaire: “Where is Fernando Bryce“, artnet magazine, 10/04/08
2008 Raisa Clavijo: “PINTA returns to New York. Nov. 13-16, at the Metropolitan Pavilion and Altman Building”. Wynwood The Art Magazine online, wam-magazine.com, 2008
Carlos León-Xjiménez: “Fernando Bryce expone en Berlin y en la feria Pinta (Nueva York)”, in: Artmotiv, 2005
Harald Jähner: “Eine Klimazone der Phantasie”, in: Berliner Zeitung Feuilleton, 09/12/08
“Arte latino sorprende en N.Y.”, in: El Periódico.com.co, 15/11/08
Vanja Budde: “Sehnsuchtsorte und mörderische Hitze“, in: Deutschlandradio Kultur, dradio.de, 09/11/08
“Fernando Bryce es el artista invitado de PINTA 2008”, in: arte en la red, 11/08/08
Sigal Ratner-Arias: “Feria PINTA trae más arte latinoamericano a NY”, in: LaPrensa.com, 11/10/08
“La diversidad del arte latinoamericano está en la feria PINTA de Nueva York”, in: soitu.es, 11/13/08 Eva Font Mendiola: “El arte latinoamericano de 53 galerías se reúne en Nueva York”, in: elpais.co.cr, 11/13/08 Pernilla Holmes: “Artists around the globe are turning Socialist Realism on its head, layering the once-potent tool of propaganda with irony and nostalgia”, in: ARTnews Volume 107/Number 1 Prensa Asociada: “Feria PINTA trae más arte latinoamericano a NY”, in: New York Daily News Espanol, Nov. 2008
2007 Roberta Smith: “Latin American Modernnism, the Sequel”, The New York Times, Nov. 2007 “Made in Germany Zeitgenössische Kunst aus Deutschland”, in: kultur.ARD.de
2006 Hans-Jürgen Hafner: “Freie Sicht”, in: Spike – Kunstmagazin Nr. 08/2006
Dominic Eichler: “Fernando Bryce People, posters and propaganda; history, copies and drawing”, in: Frieze, 06/07/06
Annika von Taube: “Body Politic”, in sleek 09, winter 2005-2006
2005 Peio Aguirre: “Fernado Bryce – Fundació Tàpies”, in: Frieze, Oct.2005
Petra Henninger: “Revolution in Bayrischer Tusche”, in: artnet magazine, 10/11/05
Johannes Wendland: “Revolutionäre Ansichten”, in: Der Tagesspiegel, 09/10/05
Matthias Reichelt: “Gruppenbild mit Comandante”, in: taz, 09/10-11/05
Vera Lauer: “Odisea Bryce”, Caretas/Julio 21, 2005
Carlo Trivelli: “dibujo + historia”, El Comercio, July 2005
Artist‘s Project: “Fernando Bryce Américas”‚ Esopus Magazine, vol. 5, fall 2005
Montse Frisach: “Fernando Bryce, el copista d‘arxius”, Avui, 22. April 05
Roberta Bosco: “La Fundación Tàpies exhibe la peculiar visión de Fernando Bryce sobre el pasado”, El País, April 05
Olga Spiegel: “Bryce exhibe sus reelaborados documentos históricos en la Tàpies”, La Vanguardia, 04/22/05
V. Fernández: “La Fundació Tàpies reúne los dibujos documentales de Fernando Bryce”, La Razón, 04/22/05
James Trainor: “Back. 2004 Carnegie International”, in: Frieze, issue 88, January/February 2005, S. 109
Jaume Vidal Oliveras: “Fernando Bryce: universo Pop Art”, in: El Cultural, 05.05.2005
Katy Siegel: “2004 Carnegie International”, in: Artforum, January 2005, S. 175
2004 Ken Johnson: “Pittsburgh Rounds Up Work Made in Novel Ways”, in: Art Review / Carnegie International, Nov. 2004
Blake Gopnik: “Pick of the Litter”, in: Washington Post, Oct. 2004
Adrian Searle: “Lost in translation”, in: guardian.co.uk, March 2004
2003 Eleanor Heartney: “Mending the Breach”. 8th Istanbul Biennial, in: Art in America, Dec. 2003, no. 12, p. 77-78
Andreas Fanizadeh:”Revolution auf DDR-Papier”, in:die tageszeitung, 08/06/2003, p. 15
Andreas Fanizadeh:“Revolution auf DDR-Papier”, in:die Wochenzeitung, Nr. 33, 08/14/03, p. 19
Elida Roman:“Acertada curaduria”, in:El Comercio, Peru, 01/19/03
Ingo Arend: “Sind Sie gerecht?”, in: Freitag 45, Oct. 2003
2002 Carlo Trivelli:“El sino de Benjamin”, in:El Comercio, Peru, 02/16/02
Doris Bayly:“Zona de Obras”, in:Somos, p. 56 – 60, Peru, Dec. 2002
Johannes Wendland: “Fast wie ein Mönch, Fernando Bryce in der Galerie Barbara Thumm”, in :Zitty 25/2002
Thomas Wagner: “Stapellauf der Unterweltboote – Jung, offen, vernetzt: Die “Manifesta 4” macht Frankfurt zum Zentrum des Kunsttourismus”, in: Frankfurter Allgemeine Zeitung, Feuilleton, 05/25/2002
Christoph Tannert: “Die Grübelphase ist vorbei – Die Manifesta 4 in Frankfurt am Main will Denkräume und verzichtet dafür auf dramatische Bilder”, in: Berliner Zeitung, 05/30/2002
Kira van Lil, “Direkter Blick auf junge Kunst”, in:ART Nr. 11, Nov. 2002, S. 71-76
1998 “El Museo Hawai: Una Naturaleza Muerta de la Cultura, notas acerca de la serie The Progress of Peru”, Rodrigo Quijano, Hueso Humero, no. 33, Lima, Peru
Collections
ARCO Collection, Madrid, Spain
Berezdivin Collection, Puerto Rico
Burger Collection, Zürich / Hongkong
Helga de Alvear Foundation, Caceres, Spain
Kunstmuseum St. Gallen, Switzerland
Museo de Arte Contemporáneo de Castilla y León, Spain
Museo de Arte Contemporáneo de Buenos Aires, Argentinia
Museo de Arte de Lima, Peru
Pablo and Tinta Henning Collection, Houston, USA
PAMM Museum, Miami, USA
Private Collections (Europe, USA, Latin America)
The Carnegie Museum, Pittsburgh, USA
The Museum of Modern Art, New York, USA
The Tate Modern, London, UK
The Tom Patchett Collection, Santa Monica, USA
VAC Collection, Valencia, Spain