Carrie Mae Weems 

1953

born in Portland, Oregon, USA

lives and works in upstate New York

Education

1984-87

1984

1981

Graduate Program in Folklore, University of California, Berkeley

MFA, University of California, San Diego (Photography)

BFA, California Institute of the Arts, Valencia

Selected Solo Exhibitions

2018

“Heave”, Cornell Council for the Arts 2018 Biennial, Cornell University, Ithaca, New York, USA

“Carrie Mae Weems: Strategies of Engagement”, McMullen Museum of Art, Boston, Massachusetts; traveling to the Allentown Art Museum, Allentown, Pennsylvania, USA 

“Carrie Mae Weems: The Usual Suspects”, LSU Museum of Art, Baton Rouge, Louisiana, USA

“Carrie Mae Weems: Sea Island Series”, 1991-1992, Jepson Center for the Arts, Telfair Museums, Savannah, Georgia, USA

“Carrie Mae Weems: From Here I Saw What Happened and I Cried & Selected Works”, Hammonds House Museum, Atlanta, Georgia, USA

2016/17

“Carrie Mae Weems: I once knew a girl…”, Ethelbert Cooper Gallery of African & African American Art, Hutchins Center for African & African American Research, Harvard University, Cambridge, Massachusetts, USA

2016

“Carrie Mae Weems”, Jack Shainman Gallery, New York, USA

“Mirror, Mirror”, Sharon Arts Center, Peterborough, New Hampshire, USA

“Carrie Mae Weems: Considered”, SCAD Museum of Art, Savannah

“Grace Notes: Reflections for Now”, directed by Carrie Mae Weems, curated by Sarah Lewis, Spoleto Festival USA, College of Charleston, Sottile Theatre, Charleston, South Carolina, June 2016; traveled to Yale University Art Gallery, New Haven, Connecticut, USA

2014

“Carrie Mae Weems: The Museum Series”, Studio Museum in Harlem, New York, USA

“Carrie Mae Weems”, Gallery Paule Anglim, San Francisco, USA

“Carrie Mae Weems: Color: Real and Imagined”, Pippy Houldsworth Gallery, London, UK

2013-14 

“Carrie Mae Weems”, Gund Gallery, Kenyon College, Gambier, Ohio, USA

2012-14

“Carrie Mae Weems: Three Decades of Photography and Video”, Frist Center for the Visual Arts, Nashville; Traveling to: Portland Art Museum, Oregon; Cleveland Museum of Art, Ohio; Cantor Center for Visual Arts, Stanford University; Guggenheim Museum, New York, USA, Curated by Katie Delmez. (Catalogue; texts by David Henry Louis Gates, Jr., Franklin Sirmans, Deborah Willis, and Katie Delmez

2012

“Maddening Crowd”, McNay Art Museum, San Antonio, Texas, USA

2011

“Carrie Mae Weems: Kitchen Table Series”, Art Institute of Chicago, Illinois, USA

“Carrie Mae Weems: Slow Fade to Black”, Williams College Museum of Art and Downstreet Art at the Legacy, Legacy Gallery, North Adams, Massachusetts, USA

2010

“Carrie Mae Weems: Slow Fade to Black”, Jack Shainman Gallery, New York, USA

“Carrie Mae Weems: Social Studies”, Centro Andaluz de Arte Contemporáneo, Seville, Spain, curated by Elvira Dyangani Ose. (Catalogue; texts by Elvira Dyangani Ose, Annie E. Coombes, and Greg Tate)

2008/2009 

“Constructing History: A Requiem to Mark the Moment”, organized by ACA Gallery of Savannah College of Art and Design, Atlanta, USA; Galerie Pfriem, SCAD-Lacoste, France ;Red Gallery, Savannah; Gallery Paule Anglim, San Francisco, USA (Catalogue)

2008

“Carrie Mae Weems: A Survey”, Jack Shainman Gallery, New York, USA

2007

“All About Eve: Women, Sex, and Desire”, Neil L. and Angelica Zander Rudenstine Gallery, W. E. B. Du Bois Institute for African and African American Research, Harvard University, Cambridge, Massachusetts, USA Traveled to: Hartnett Gallery, University of Rochester, New York,USA

2006

“Art on the Edge: Carrie Mae Weems —To be Continued”, Contemporary Art Center of Virginia, Virginia Beach. Traveled to: Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia; Contemporary Art Center of Virginia, Roanoke; The Landscape of Memory, Joe and Emily Lowe Art Gallery, Syracuse, New York, USA, Curated by Wyona Lynch-McWhite

2005

“Carrie Mae Weems: Photographs and Video Installation”, Ann Tower Gallery, University of Kentucky, Lexington, USA, Curated by Janie Welker

“From Here I Saw What Happened and I Cried + Coming up for Air”, Café Gallery Projects, London, UK, Curated by Mark Sealy

“Carrie Mae Weems: Forms of Memory”, Lowe Art Gallery, Syracuse, New York, USA

“Carrie Mae Weems”, Jack Tilton Gallery, New York, USA

“Coming Up for Air: 8 Video Works”, (film screenings), Checkerboard Foundation, New York, USA

“The Landscape of Memory”, Joe and Emily Lowe Art Gallery, Syracuse University, New York, USA

“May Days Long Forgotten” (film screening), Miami Art Museum, Florida, USA

“Sited for the Record”, Beacon Cultural Foundation, Beacon, New York, USA

“Speak to Me, Say Something” (film screening), Everson Museum of Art, Syracuse, New York, USA

2004

“Carrie Mae Weems: The Hampton Project”, Susanne Hilberry Gallery, Ferndale, Michigan, USA

“Carrie Mae Weems at MoMA Gramercy—Coming Up for Air and Meaning & Landscape”, MoMA Film at the Gramercy, New York, USA

“Carrie Mae Weems: The Louisiana Project and Dreaming in Cuba”, Spelman College Museum of Fine Art, Atlanta, USA

“May Days Long Forgotten” (DVD), Lobby Video Project, MoMAQns, Queens, New York, USA

“May Days Long Forgotten”, Gallery 210, University of Missouri, St. Louis, USA

2003-2007

“The Louisiana Project”, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana, USA; Traveled to: Spelman College Museum of Fine Art, Atlanta, USA; The Hyde Collection, Glen Falls, New York, USA; DePaul University Art Gallery, Chicago, USA; Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, USA; Polk Museum of Art, Lakeland, Florida, USA; Museum of the African Diaspora, Brooklyn, USA; Massachusetts College of Art, Boston, USA; Hunter Museum of American Art, Chattanooga, Tennessee, USA

2003

“Africa Series”, Sheppard Fine Arts Gallery, Reno, Nevada, USA

“Carrie Mae Weems: Mirrors and Windows”, BGSU Fine Arts Center Galleries, Bowling Green State University, Bowling Green, Ohio, USA

“A Certain Kind of Love”, P.C.O.G. Gallery, New York, USA

“From Here I Saw What Happened and I Cried”, South Carolina State University, Orangeburg, South Carolina, USA

“May Flowers Long Forgotten & A Little Bit of This and A Little Bit of That”, P·P·O·W, New York Photographic Visions of Carrie Mae Weems, Zora Neale Hurston National Museum of Fine Arts, Eatonville, Florida, USA; Project Space, Beacon Cultural Project, Beacon, New York, USA

“Ritual & Revolution”, University Arts Gallery, San Diego State University, San Diego, USA

“Self & Soul: The Architecture of Intimacy”, Asheville Art Museum, North Carolina, USA

2000-2002

“Carrie Mae Weems: The Hampton Project”, Williams College Museum of Art, Williamstown, Massachusetts, USA; Traveled to: International Center of Photography, New York, USA; The High Museum of Art, Folk Art and Photography Galleries, Atlanta, USA; The University Museum, California State Long Beach, USA; The Nelson-Atkins Museum of Art, Kansas City, Missouri, USA; The Hood Museum, Dartmouth College, Hanover, New Hampshire, USA (Catalogue; texts by Vivian Patterson, Frederick Rudolph, Constance W. Glenn, Deborah Willis-Kennedy, Jeanne Zeidler.)

1999-2004

“The Jefferson Suite”, Santa Barbara Museum of Art, Santa Barbara, California, USA, 1999. Traveled to: Parrish Art Museum, Southampton, New York, USA, 2001; Palmer Museum of Art, University Park, Pennsylvania, USA, 2002; University of Virginia Art Museum, Charlottesville, USA, 2004; Annie Gawlak Fine Arts, Washington, D.C.

1999

“Ritual & Revolution”, Rhona Hoffman Gallery, Chicago, USA

“Telling Histories: Installations by Ellen Rothenberg and Carrie Mae Weems”, Boston University Art Gallery, Massachusetts, USA

1998-1999

„Recent Work: Carrie Mae Weems 1992-98“, Everson Art Museum, Syracuse, USA

„Ritual & Revolution“, DAK’ART 98: Biennale of Contemporary Art, Galerie Nationale d’Art, Dakar, Senegal, Africa; Traveled to: Berkeley Art Museum, University of California, Berkeley, USA; Kunstlerhaus Bethanien, Berlin, Germany

„Who What When Where“, Whitney Museum of American Art at Phillip Morris, New York, USA

1998

Tubman African American Museum, Macon, Georgia

1997

2nd Johannesburg Biennale, Africus Institute for Contemporary Art,Johannesburg, South Africa

Cline LewAllen Contemporary, Santa Fe, USA

Three Rivers Festival, Philadelphia, USA

Virginia Museum of Fine Arts, Richmond, USA

 1996

„Carrie Mae Weems: The Kitchen Table Series“, Contemporary Arts Museum, Houston, USA

„From Here I Saw What Happened And I Cried“, P·P·O·W, New York, USA Traveled to: Rhona Hoffman Gallery, Chicago, USA; Gallery Paule Anglim, San Francisco, USA; The Bunting Institute, Cambridge, Massachusetts, USA

„Sea Island Series and Africa Series“, Krannert Art Museum, University of Illinois at Urbana – Champaign, Illinois, USA

1995

„Africa Series“, Projects 52, Museum of Modern Art, New York, USA

„Carrie Mae Weems Reacts to Hidden Witness“, J. Paul Getty Museum of Art, Malibu, California, USA

The Hood Museum of Art, Dartmouth College, Hanover, NH, University of Alabama, Tuscaloosa, USA

1994-95

„Sea Island Series“, University of Alabama, Sarah Moody Gallery of Art, Tucaloosa, Alabama, USA, Traveled to: Northern Illinois University, NIU Art Museum, Dekalb, Illinois, USA, Southern Oregon State College, Schneider Museum of Art, Ashland, Oregon, USA; The University of South Carolina, McKissick Museum, Columbia, South Carolina, USA; The University of Iowa, Museum of Art, Iowa City, Iowa, USA

1994

Dartmouth College, Hood Museum of Art, Hanover, New Hampshire, USA

1994-1995

“Carrie Mae Weems”, The National Museum of Women in the Arts,

Washington D.C., USA, 1993. Traveled to: The Forum, St. Louis, Missouri,

USA, 1993; San Francisco Museum of Modern Art, California, USA, 1993;

Center for the Fine Arts, Miami,USA, 1993; California Afro-American

Museum, Los Angeles, USA, 1993–1994; Portland Art Museum, Oregon,

USA, 1994; Walker Art Center, Minneapolis, USA, 1994; Institute of

Contemporary Art, Philadelphia, USA, 1995; Contemporary Arts

Center, Cincinnati, USA, 1995 (Catalogue

1993

The Fabric Workshop, Philadelphia, USA

New Langton Arts, San Francisco, USA

1991-1993

“And 22 Million Very Tired and Very Angry People”, The New Museum of Contemporary Art, New York. Traveled to: Walter/McBean Gallery, San Francisco Art Institute, California, USA

1991

“Carrie Mae Weems”, Matrix Gallery, Wadsworth Athenaeum, Hartford, USA

“Carrie Mae Weems: Two Works”, University of Southern California at Irvine, Irvine, USA

“Currents: Carrie Mae Weems”, Institute of Contemporary Art, Boston Trustman Gallery, Simmons College, Boston, USA

“Carrie Mae Weems: Family Pictures and Stories: A Photographic Installation”, Freedman Gallery, Albright College Center for the Arts, USA

1990

“Calling Out My Name”, CEPA Gallery, Buffalo, New York, USA, Traveled to: P·P·O·W, New York, USA

1989

March”, Rhode Island School of Design, Providence, USA

1987

Hampshire College Art Gallery, October, Amherst, Massachusetts,USA

1984-1993

“Family Pictures and Stories”, Multi-Cultural Gallery, San Diego, USA; Traveled to: Albright College, Reading, Pennsylvania, USA, 1991; Art Complex Museum, Duxbury, Massachusetts, USA, 1991; Cleveland Centerfor Contemporary Art, Ohio, 1993

Selected Group Exhibitions

2019

13 th Havana Biennial, Havana, Cuba “Wendy Red Star: A Scratch on the Earth”, Newark Museum, Newark, New Jersey, USA

“Theaters of Fiction”, Wellin Museum of Art, Hamilton College, Clinton, New York, USA

“Prisoner of Love”, Museum of Contemporary Art Chicago, Chicago, Illinois, USA

“On Their Own Terms”, Wingate Center of Art and Design, Little Rock, Arkansas, USA

2018-2019

“A Body Measured Against the Earth”, Museum of Contemporary Art Chicago, Chicago, Illinois, USA

“50 States / For Freedom’s Initiatives”, Hutchins Center for African and African American Research, Harvard University, Cambridge, Massachusetts, USA

“The Notion of Family”, California African American Museum, Los Angeles, California, USA

2018

“Matera Imagined/Matera Immaginata”, Italian Cultural Institute, New York, New York, USA

“Dread & Delight: Fairy Tales in an Anxious World”, Weatherspoon Art Museum, Greensboro, North Carolina, USA, 2018; Travelling to: Faulconer Gallery, Grinnell College, Iowa, USA, 2019; Akron Art Museum, Akron, Ohio, USA, 2019

“MUSE: Mickalene Thomas Photographs and tête-à-tête”, Henry Art Gallery, Seattle, Washington, USA

“Orientation: The Racial Imaginary Institute Biennial”, Jack Shainman Gallery, 513 West 20 th Street, New York, USA

“We Wanted A Revolution: Black Radical Women, 1965-85”, Institute of Contemporary Art, Boston, Massachusetts, USA

“Jason Moran”, Walker Art Center, Minneapolis, Minnesota, USA, 2018; Travelling to: Institute for Contemporary Arts, Boston, Massachusetts, USA, 2018 – 2019; Wexner Center for the Arts, Columbus, Ohio, USA

“All Power: Visual Legacies of the Black Panther Party”, Photographic Center Northwest, Seattle, Washington, USA

“Margin and Center”, Houston Center for Photography, Houston, Texas, USA

“Family Pictures”, Columbus Museum of Art, Columbus, Ohio, USA

2017/18

“Matera Imagined/Matera Immaginata: Photography and a Southern Italian Town”, Museo nazionale dell’arte medievale e moderna, Palazzo Lanfranchi, Italy

“Woman with a Camera”, Museum of Contemporary Art Chicago, Chicago, Illinois, USA

2017

“Innovative Approaches”, Honored Traditions, The Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY, USA

“Art of the Selfie”, Helen Day Art Center, Stowe, Vermont, USA

“Black Matters”, Galerie Barbara Thumm, Berlin, Germany

“Blue Black”, curated by Glenn Ligon. Pulitzer Arts Foundation, St. Louis, USA

“Power: Work By African American Women from the Nineteenth Century to Now”, curated by Todd Levin. Sprüth Magers, Los Angeles, CA, USA

“We Wanted a Revolution: Black Radical Women”, 1965-85, Brooklyn Museum, NY, USA

“Regarding the Figure”, Studio Museum Harlem, New York, USA

2016-2017

“The Human Image: From Velazquez to Viola”, Feigen Contemporary, New York, NY, USA

“Witness”, Museum of Contemporary Art Chicago, Chicago, Illinois, USA,

“Southern Accent: Seeking the American South in Contemporary Art”, Nasher Museum of Art, Duke University, Durham, North Carolina, USA, 2017. Curated by Trevor Schoonmaker. Travels to Speed Art Museum, Louisville, Kentucky, USA

“The Future is Female”, 21C Museum Hotel, Louisville, KY, USA

“All Power to the People: Black Panthers at 50”, Oakland Museum of California, Oakland, USA

“Collect Call”, Samek Art Museum, Bucknell University, Lewisburg, Pennsylvania, USA

“The Uses of Photography: Art, Politics, and the Reinvention of a Medium”, Museum of Contemporary Art San Diego, California, USA

“Poetics of Place”, The Metropolitan Museum of Art, New York, New York, USA

“tête-à-tête”, Curated by Mickalene Thomas. David Castillo Gallery, Los Angeles, CA, USA

“Real / Radical / Psychological: The Collection on Display”, Mildred Lane Kemper Art Museum at Washington University in St. Louis, Missouri, USA

2016

“The Human Image: From Velazquez to Viola”, Richard L. Feigen & Co., New York, NY, USA

“Berkeley Eye: Perspectives from the Collection”, University of California, Berkeley Art Museum – Pacific Film Archive, Berkeley, CA, USA

“There was a Whole Collection Made: Photography from Lester and BettyGuttman”, The University of Chicago, Smart Museum of Art, Chicago, USA

“Framing Beauty: Intimate Visions”, Grunwald Gallery of Art, Bloomington Indiana, USA

“Invisible Adversaries: Marieluise Hessel Collection”, CCS Bard Hessel Museum, Annendale-on-Hudson, New York, USA

“Blackness in Abstraction”, Pace Gallery, New York, NY, USA

“For Freedoms”, Jack Shainman Gallery, New York, NY, USA

“Strange Oscillations and Vibrations of Sympathy”, University Galleries of Illinois State University, Normal, Illinois, USA

“Contemporary Highlights from the Collection”, National Academy Museum, New York, New York, USA

“Recharging the Image: Selections from the Mott-Warsh Collection”, Visual Arts Center of New Jersey, Summit, New Jersey, USA

“Muse: Mickalene Thomas Photographs and tête-à-tête”, Aperture Gallery, New York, USA

“Mirror Mirrowed: Art Meets the Monsters”, Washington Project For the Arts, Washington D.C., USA

“You Go to My Head”, Galerie Daniel Templon, Brussels, Belgium, USA

“Who We Be, Lynn Krywick Gibbons Gallery”, Cantor Arts Center at Stanford University, California, USA

“Los Angeles Film Forum at MOCA”, MOCA Museum of Contemporary Art, Los Angeles, California, USA

2015-2017

“No Man’s Land: Women Artists from the Rubell Family Collection”, Miami, Florida, USA, 2016; Travels to: National Museum of Women in the Arts, Washington, D.C., USA

2015-2016

Us Is Them”, The Pizzuti Collection, Columbus, Ohio, USA

“Winter in America”, The School, Kinderhook, New York, USA

“Celebrating Photography at the National Gallery of Art: Recent Gifts”, National Gallery of Art, Washington, D.C., USA (catalogue)

“Flowers, Fruit, Books, Bones: Still Life from the Center for Creative Photography”, Phoenix Art Museum and the Center for Creative Photography, Phoenix, USA

“Thirty Nine Years”, Susanne Hilberry Gallery, Ferndale, Michigan, USA

2015

“Represent: 200 Years of African American Art”, Philadelphia Museum of Art, Philadelphia, USA

“Under Color of Law”, The Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania, USA

“An Exhibition of African American Photographers from the Daguerreian to the Digital Eras”, Marshall Fine Arts Center, Haverford College, Haverford, Pennsylvania, USA

“Triennale di Milano: Art & Foods Rituals Since 1851”, Milano, Italy, Triennale di Milano: Art & Foods Rituals Since 1851, Milano, Italy

“The Memory of Time: Contemporary Photographs at the National Gallery of Art”, Acquired with the Alfred H. Moses and Fern M. Schad Fund, National Gallery of Art, Washington, D.C., USA

“A Voice Remains”, Pippy Houldsworth Gallery, London, UK

“Portraits and Other Likenesses from SFMOMA”, Museum of the African Diaspora, San Francisco, USA

“Nero su Bianco”, American Academy in Rome, Italy

“ReSignifications”, Museo Stefano Bardini, Villa la Pietra, Fondazione Biagiotti Progetto Arte, Florence, Italy

“I am your sister”, Galerie Nathalie Obadia, Brussels, Belgium

“Status Quo”, The School | Jack Shainman Gallery, Kinderhook, NY, USA

2014

“Sound Vision: Contemporary Art from the Collection”, Nasher Museum of Art at Duke University, Durham, North Carolina, USA

“When the Stars Begin to Fall; Imagination and the American South”, The Studio Museum in Harlem, New York, 2014; traveled to Nova Southeastern University Art Museum, Fort Lauderdale, Florida, USA

“Annual 2014: Redefining Tradition”, National Academy Museum, New York, USA

“More Material”, Salon 94, New York, USA

“Prospect.3 New Orleans”, McKenna Museum, New Orleans, USA

“Mise En Scène”, The School, Kinderhook, NY, USA

“Off-Spring: New Generations”, 21C Museum Hotel, Bentonville, Arkansas, USA

2013/14

“Classless Society”, Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, USA

“Color! American Photography Transformed”, Amon Carter Museum of American Art, Fort Worth, Texas, USA

“Tell it To My Heart: Collected by Julie Ault”, Artist Space, New York, USA (exhibiton catalogue)

“Everyday Epiphanies: Photography and Daily Life Since 1969”, The Metropolitan Museum of Art, New York, USA

2013

“POP Goes the Easel: Pop Art and its Progeny”, Lyman Allyn Art Museum,New London, Connecticut, USA

“LOOK3 Festival of the Photograph”, Charlottesville, Virginia, USA

“Etched in Collective History”, Birmingham Museum of Art, Alabama, USA (Catalogue) Pitzer College Art Galleries, Claremont, California, USA

“Lunch with Olympia”, Yale University School of Art, New Haven, Connecticut, USA, curated by Carl Armstrong and Robert Storr

“Seven Sisters”, Jenkins Johnson Gallery, San Francisco, USA

“Glyphs: Acts of Inscription” , Pitzer College Art Galleries, Claremont, California, USA

2012-2013

“This Will Have Been: Art, Love & Politics in the 1980s”, Museum ofContemporary Art Chicago, Illinois, USA, 2012; Traveling to: Institute of Contemporary Art Boston, Massachusetts, USA, 2012 and Walker Art Center, Minneapolis, USA, 2013 (Catalogue)

“Blues for Smoke”, organized by Bennett Simpson and presented at The Museum of Contemporary Art, Los Angeles, USA, The Geffen Contemporary at MOCA, USA, 2013; Traveled to: The Whitney Museum of American Art, New York, USA, 2013; Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA, 2013 (Catalogue)

“Radical Presence: Black Performance in Contemporary Art”, Brown Foundation Gallery, Contemporary Arts Museum Houston, USA

“Feminist And…”, Curated by Hilary Robinson, Ph.D., Mattress Factory, Pittsburgh, Pennsylvania, USA

2012

“African Americans and the American Scene, 1929–1945”, Williams College Museum of Art, Williamstown, Massachusetts, USA, Co-curated by Dalila Scruggs and Sandra Burton

“28 Days”, Justina M. Barnicke Gallery, University of Toronto, Ontario, Canada

“The Annual: 2012”, National Academy Museum, New York, USA

“Performing for the Camera”, Arizona State University Art Museum, Tempe, curated by Heather Sealy Lineberry

“Every Exit is an Entrance: 30 Years of Exit Art”, Exit Art, New York, USA

“The Bearden Project”, Studio Museum in Harlem, New York, USA

“La Triennale: Intense Proximitè”, Palais de Tokyo, curated by Okwui Enwezor, Claire Staebler, Emilie Renard, Melanie Bouteloup and Abdellah Karroum

“Octagon Gallery video installation”, McNay Art Museum, San Antonio, Texas, USA

“Cinema Remixed & Reloaded: Black Women Artists and the Moving Image Since 1970”, 11 th Havana Biennial, Cuba, curated by Andrea Barnwell Brownlee and Valerie Cassel Oliver

“At the Edge: Recent Acquisitions”, Berkeley Art Museum and Pacific Film Archive, California, USA

“Intimate Interiors”, Birmingham Museum of Art, Alabama, USA

“African American Art Since 1950: Perspectives from the David C. Driskell Center”, David C. Driskell Center, University of Maryland, College Park, 2012; Travels to: Taft Museum of Art, Cincinnati, Ohio, 2013; The Harvey B. Gantt Center for African- American Arts, Charlotte, North Carolina, 2015; Figge Art Museum, Davenport, Iowa, 2015; Polk Museum of Art, Lakeland, Florida, USA

2011-2012

“The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power”, Neuberger Museum, Purchase College, New York, USA, 2011; Nasher Museum of Art, Duke University, Durham, North Carolina, USA 2011; Contemporary Arts Museum, Houston, USA

“Conversations: Photography from the Bank of America Collection”, Museum of Fine Arts, Boston, USA, 2011. Traveled to: Museo del Novencentro, Milan, Italy, 2012; Irish Museum of Modern Art, Dublin, Ireland, 2012 (Catalogue)

“Becoming: Photographs from the Wedge Collection”, Nasher Museum of Art, Duke University, Durham, North Carolina, USA, 2012

“Narrative Interventions in Photography”, The J. Paul Getty Museum, Los Angeles, USA

“The Bearden Project”, Studio Museum in Harlem, New York, USA

2011

“Safety in Numbers?: Images of African American Identity and Community”, Portland Art Museum, Oregon, USA

“Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists”, Bronx Museum, New York, USA (Catalogue)

“Embodied: Black Identities in American Art from the Yale University Art Gallery, Organ. by the Yale University Art Gallery. David C. Driskell Center, College Park, Md., USA, 2010 and at the Yale University Art Gallery, New Haven, Conn., USA, 2011 Bodyscapes, Mechanical Hall Gallery, University of Delaware, Newark, Delaware,USA

“Seeing Now: Photography Since 1960”, Baltimore Museum of Art, Maryland, USA

“Unsettled: Photography and Politics in Contemporary Art”, Philadelphia Museum of Art, Pennsylvania, USA, curated by Peter Barberie

“You Are Here”, Community Folk Art Center, Syracuse, New York, USA

“Converging Voices, Transforming Dialogue: Selections from the Elliot and Kimberly Perry Collection”, University Museum, Texas Southern University, Houston, USA

“Icon”, The Paul R. Jones Gallery, University of Alabama, Tuscaloosa, USA

“Constructing History: A Requiem to Mark the Moment”, Frederick Douglass Institute for African & African American Studies, University of Rochester, New York, USA

2010-2012

“The Record: Contemporary Art and Vinyl”, Nasher Museum of Art, Duke University, Durham, North Carolina, USA, 2011; Traveled to: Institute of Contemporary Art, Boston, USA, 2011; Miami Art Museum, Florida, USA, 2012; Henry Art Gallery, Seattle, USA, 2012; Curated by Trevor Schoonmaker (Catalogue)

2010-2011

“Pictures by Women: A History of Modern Photography”, The Edward Steichen Photography Galleries, The Museum of Modern Art, New York, USA

“Embodied: Black Identities in American Art from the Yale University ArtGallery”, David C. Driskell Center, University of Maryland, College Mark, USA, 2010; Traveled to: Yale University Art Gallery, New Haven, Connecticut, USA, 2011 (Catalogue)

2010

“Afro Modern: Journeys Through the Black Atlantic”, Tate Liverpool, United Kingdom

“From Then To Now: Masterworks of Contemporary African American Art”, Museum of Contemporary Art, Cleveland, Ohio, USA

“Off the Wall: Part 1—Thirty Performative Actions”, organized by The Whitney Museum of American Art, New York, USA

“Pink”, Wesleyan University, Middletown, Connecticut, USA

“Summertime”, Stephan Stoyanov Gallery, New York, USA

2009-2010

Posing Beauty: African American Images From the 1980s to thePresent”, curated by Deborah Willis, organized by the Department of Photography & Imaging, New York University, Tisch School of the Arts, New York, USA, 2009; Traveled to: Taubman Museum of Art, Roanoke, Virginia, USA, 2010; At Gallery of Hamilton, Hamilton Ontario, USA, 2010; Williams College Museum of Art, Williamstown, Massachusetts, September, 2010; Newark Museum, New Jersey, USA, 2011; USC Fischer Museum of Art, Los Angeles, USA, 2011; College of Wooster Art Museum, Wooster, Ohio, USA, 2012; Everhart Museum, Scranton, Pennsylvania, USA, 2012; Figge Art Museum, Davenport, Iowa, USA, 2012; Spelman College Museum of Art, Atlanta, Georgia, USA, 2013; Evansville Museum, Evansville, Indiana, USA, 2014, Northwest African American Museum, Seattle, Washington, USA, 2016; then to Snap! Space Orlando, Florida; Mona Bismarck, Paris, France; and Mobile Museum of Art, Mobile, Alabama, USA

2009

“Signs taken for Wonder”, Jack Shainman Gallery, New York, USA

“The 21 st Century, The Feminine Century, and the Century of Diversity and Hope”, International Incheon Women Artists Biennial (IWAB), Incheon, Korea

“Across the Divide: Reconsidering the Other”, Illinois State Museum, Springfield, Illinois, USA (Catalogue)

2008-2014

“30 Americans: Rubell Family Collection, Rubell Family Collection, Miami, USA, 2009; Traveled to: North Carolina Museum of Art, Raleigh, March, 2011; Corcoran Gallery of Art, Washington, D.C., USA, 2011-2012; Chrysler Museum, Norfolk, Virginia, USA, 2012; Milwaukee Art Museum, USA, 2013; Frist Center for Visual Arts, Nashville, October 11, 2013-2014 (Catalogue; text by Franklin Sirmans

2008/09

“Color Chart: Reinventing Color, 1950 to Today”, The Museum of Modern Art, New York, USA, 2008; Traveled to: Tate Liverpool, United Kingdom, 2009. Curated by Ann Temkin (Catalogue)

“Black Womanhood: Images, Icons, and Ideologies of the African Body”, The Hood Museum of Art, Hanover, New Hampshire, USA, 2008; Traveled to: Davis Museum and Cultural Center, Wellesley College, Massachusetts, USA, 2008; San Diego Museum of Art, California, USA

“Across the Great Divide: Reconsidering the Other”, Illinois State Museum, Springfield,USA, 2009; Traveled to: Illinois State Museum, Chicago Gallery, Chicago, USA, 2009, curated by Robert Sill (Catalogue)

“Burning Down The House”, Brooklyn Museum, New York, USA

2008

“We’re All In This Together”, Swarm Gallery, Oakland, California, USA

“History Keeps Me Awake at Night: A Genealogy of Wojnarowicz”, P.P.O.W., New York, USA

“Modern Lives”, curated by Dana Friis-Hansen, Austin Museum of Art, Texas, USA Highlights of the Permanent Collection, The Bronx Museum of the Arts, New York, USA

2007

“Embracing Eatonville”, University of Michigan Museum of Art, Ann Arbor, USA

“Still I Rise: African American Art from the Collection”, Columbus Museum of Art, Ohio, USA

“New Media/ New Materials: Highlights in Contemporary Art from The Fabric Workshop and Museum”, Cincinnati Contemporary Arts Center, Ohio, USA

“Seen Inside: The Body and Photography”, Figge Art Museum, Davenport, Iowa, USA

“Making the Ephemeral Concrete: Directing for the Stage”, Ackland Art Museum, University of North Carolina at Chapel Hill, USA

“Regarding Intimacy”, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, USA, curated by Saul Robbins

“Hidden in Plain Sight”, Metropolitan Museum of Art, New York, USA. Charlottesville Collects African American Art, University of Virginia Art Museum, Charlottesville, Virginia, USA, curated by Andrea Douglas

“Kiss Kiss Bang Bang. 45 Years of Art and Feminism”, Bilbao Fine Arts Museum, Bilbao, Spain

“Prized Images”, Akron Museum of Art, Akron, Ohio, USA

“Taking Possession”, University of Arkansas at Little Rock, Little Rock, Arkansas, USA

“Blacks In and Out of the Box”, California African American Museum, Los Angeles, USA

“More Than One”, Vanderbilt University Fine Arts Gallery, Vanderbilt University, Nashville, Tennessee, USA

2006

Black Alphabet: Contexts of Contemporary African-American Art, Zacheta National Gallery of Art, Warsaw, Poland

“Group Dynamic – Portfolios, Series, and Sets”, Des Moines Art Center, Des Moines, Iowa, USA

2006-2007

“Black Panther Rank and File”, Yerba Buena Center for the Arts, San Francisco, California, USA, 2006; Traveled to: Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USA “Legacies: Contemporary Artists Reflect on Slavery”, New York Historical Society, New York, USA

“Out of Time: A Contemporary View”, Museum of Modern Art, New York, USA

“The Human Touch:- Selections from the RBC Dain Rauscher Art Collection”, Rockford Art Museum, Rockford, Illinois, USA

“Photography and the Self: The Legacy of F. Holland Day”, Whitney Museum of American Art, New York, US

2005-2009

“Double Exposure: African Americans Before and Behind the Camera”,

Wadsworth Antheneum, Hartford, Connecticut, 2005–2006; Traveled to:

Museum of the African Diaspora, San Francisco, USA, 2008; DePaul

University, Chicago, Illinois, USA, 2009, curated by Lisa Henry and Frank

Mitchell

2005-2006

“Portraits of the Black Experience”, The Allen Memorial Art Museum, Oberlin, Ohio, USA

2005

“Earth & Memory: African and African American Photography”, Elizabeth Stone Harper Gallery, Presbyterian College, Clinton, South Carolina, USA

“African Queen”, The Studio Museum in Harlem, New York, USA

“Figuratively Speaking”, Miami Art Museum, Florida, USA

“The Whole World is Rotten”, Jack Shainman Gallery, New York, USA

“View From Here: Contemporary Russian and American Screen Prints”, Memorial Art Gallery, Rochester, New York, USA

“African American Art – Photographs from the Collection”, Saint Louis Art Museum, Missouri, USA

2004-2006

“Common Ground: Discovering Community in 150 Years of Art”, Selections from the Collection of Julia J. Norrell, Corcoran Gallery of Art, Washington, D.C., USA, 2005; Traveled to: North Carolina Museum of Art, Raleigh, USA, 2006 (Catalogue; texts by Jacquelyn Days Serwer, Paul Roth, Merry A. Foresta, and Julia J. Norrell)

2004-2005

Perspectives @ 25: A Quarter Century of New Art in Houston”, Contemporary Arts Museum, Houston, Texas, USA (Catalogue)

“Common Ground: Discovering Community in 150 Years of Art”, Corcoran Gallery of Art, Washington, D.C., USA

2004

“Double Consciousness: Black Conceptual Art Since 1970”, Contemporary Arts Museum, Houston, Texas, USA (Catalogue)

“Social Studies: Eight Artists Address Brown V. Board of Education”, Spencer Museum of Art, Lawrence, Kansas, USA

“Beyond Compare: Women Photographers on Beauty”, Presented by Dove; BCE, Toronto, Canada; Fairview Mall, Toronto, Canada; Lifefest, Toronto, Canada; Manulife Place, Canada; Edmonton and Chinook centre, Calgary, Canada; Pacific Place Centre, Vancouver, Canada; Complex Desjardins, Montreal, Canada; St. Laurent Center, Ottawa, Canada; Dam Square, Amsterdam, Netherlands; Pavilhao de Portugal, Lisbon, Portugal Gallery Group Show, P·P·O·W, New York, NY, USA

“Revealed/Concealed”, Joslyn Art Museum, Omaha, NE, USA

2003-2004

“Through the Looking Glass: Women and Self-Representation in Contemporary Art”, The Palmer Museum of Art, Penn State University, University Park, Pennsylvania, USA (Catalogue)

“Only Skin Deep: Changing Visions of the American Self”, organized by the International Center of Photography, New York, USA Traveled to: Seattle Art Museum, Washington; Museum of Photographic Arts, San Diego; San Diego Museum of Art, California, (Catalogue)

2003

A Century of Collecting: African American Art in the Art Institute of Chicago”, Art Institute of Chicago, Illinois, USA, curated by Daniel Schulman

“Self and Soul: The Architecture of Intimacy”, Ashville Art Museum, Ashville, North Carolina, USA

“Cuba on the Verge: An Island in Transition”, International Center of Photography, New York, USA

“The Auroral Light”, Photographs by Women from Grolier Club Members Collection, Grolier Club, New York, NY, USA

“Bronx Pubic Art: The Spotlight Series”, Lehman College Art Gallery, New York, USA

“Crimes and Misdemeanors: Politics in U.S”. Art of the 1980s, Lois & Richard Rosenthal Center for Contemporary Art, Cincinnati, Ohio, USA

“Flesh Tones: 100 Years of the Nude”, Robert Mann Gallery, New York

“Pictures From Within: American Photographs, 1958–2002”, Whitney Museum of American Art, New York, USA

“Saturday Night/Sunday Morning”, Leica Gallery, New York, USA

“Selections: Photography”, The Anthony Giordano Gallery, Dowling College, Oakdale, New York, USA

“Site Specific”, Museum of Contemporary Art, Chicago, USA

2002

“History Now”, Liljevalchs Konsthall and Riksutstallningar, Stockholm, Sweden [Touring Exhibition]

“Jefferson Suite as part of Paradise Now”, Tang Museum, Skidmore College, Saratoga, New York, USA and Regina Gouger Miller Gallery, Carnegie Melon University, Pittsburgh, Pennsylvania, USA

“Portraits as Performance”, Hand Workshop Art Center, Richmond, VA

“Seizing the Myths: Arts of Rebellion”, Resource Center for Activism and Arts, Washington, D.C. Portraits as Performance, Hand Workshop Art Center, Richmond, VA, USA Jan Weiner Gallery, Kansas City, MO, USA

2001-2002

Issues of Identity in Recent American Art”, Roland Gibson Gallery, SUNY,Potsdam, New York, USA, 2001; Traveled to: University Galleries, Illinois State University, Normal, Illinois; The Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville; Ben Shahn Galleries, William Paterson University, Wayne, New Jersey; Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, USA, 2002

2001-2003

“Pictures, Patents, Monkeys, and More … On Collecting”, organized by Independent Curators International, New York. Traveled to: Western Gallery, Western Washington University, Bellingham, USA, 2001; John Michael Kohler Arts Center, Sheboygan, Wisconsin, USA, 2001; Akron Art Museum, Ohio, USA, 2001-2002; Fuller Museum of Art, Brockton, Massachusetts, USA, 2002; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 4–December 15, 2002; Pittsburg Center for the Arts, Pennsylvania, USA, 2003. (Catalogue; essays by Ingrid Schaffner, Fred Wilson, and Werner Muensterberger)

2001

“I’m Thinking of a Place”, UCLA Hammer Museum, Los Angeles, California, USA, 2001

“Photographs: A Decade of Collecting”, Metropolitan Museum of Art, New York, USA, 2001

“Southern Exposure”, Contemporary Art Center of Virginia, Virginia Beach. Traveled to: Hand Workshop Art Center, Richmond, Virginia, USA

“TeleVisions”, Museumsquartier, Vienna, Austria

“W”, Musée des Beaux-Arts, Dole, France

2000

“Blackness in Color: Visual Expressions of the Black Arts Movement”, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

“Collecting Ideas: Works from the Polly & Mark Addison Collection”, Denver Art Museum, Colorado, USA

“Collection in Context”, The Studio Museum in Harlem, New York, USA

“Committed to the Image: A Half Century of Black Photographers in America”, Brooklyn Museum, New York, USA

“Frames of Reference: From Object to Subject”, Wesleyan University Center for the Arts, Middletown, Connecticut

“Looking Forward, Look Back”, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, USA

“Love Supreme”, La Criee Contemporary Art Center, Rennes, France

“Material and Matter: Loans to and Selections from the Studio Museum Collection, The Studio Museum in Harlem, New York, USA

“Odd Bodies”, National Gallery of Canada, Calgary, Canada

“Paradise Now”, Exit Art, New York, USA

“The Portrait in Contemporary Portrait Photography”, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA

“Reflections in Black: A History of Black Photographers 1840 to the Present”, Smithsonian Anacostia Museum of Center for African American History and Culture, Washington, D.C. [Touring Exhibition]

“Rivers of Spirit: ArtWomen of the African Diaspora”, Krannert Art Museum, University of Illinois at Urbana at Urbana-Champaign, Illinois, USA

“Strength and Diversity: A Celebration of African American Artists”, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts, USA

“Surface and Depth”, Trends in Contemporary Portrait Photography, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA

“The View from Here: Issues of Cultural Identity and Perspective in Contemporary Russian and American Art”, Tretyakov Gallery, Moscow  A Way with Words”, Whitney Museum of American Art at Philip Morris, New York, USA

1999-2000

“Art-Worlds in Dialogue”, Museum Ludwig, Cologne, Germany

“Artist as Patron, Alternative Museum, New York, USA

“Female”, Wessel + O’Connor Gallery, New York, USA

“Other Narratives”, Contemporary Arts Museum, Houston, USA

“Persuasion”, Lombard-Fried Fine Arts, New York, USA

“True West”, P·P·O·W, New York, USA

1999

“The Art of Advocacy”, The Aldrich Museum of Contemporary Art,

Ridgefield, Connecticut, USA

“Bearing Witness: Contemporary Works by African-American Artists”,organized by Spelman College Museum of Art, Fort Wayne, Indiana; Traveled to: Polk Museum of Art, Lakeland, Florida; Columbus Museum, Columbus, Georgia; African American Museum, Dallas, Texas; Minnesota Museum of American Art, St. Paul; Gibbes Museum of Art, Charleston, South Carolina; Edwin A Ulrich Museum of Fine Art, Wichita, Kansas; Portland Museum of Art, Portland, Maine; Museum of Fine Arts Houston, Houston, Texas; African-American History and Cultural Museum, Fresno, Califonia; Washington State University, Pullman,Washington, USA

“Re/Righting History: Counternarratives by Contemporary African American Artists”, Katonah Museum of Art, Katonah, New York, USA

 

1998-1999

„Photography’s multiple roles: art, document, market, science”, The Museum of Contemporary Photography, Chicago, USA

1998

Alternating Currents”, the Johannesburg Biennial, Johannesburg, South Africa

“Changing Spaces”, Detroit Institute of Art, Michigan, USA

“Claustrophobia: Disturbing the Domestic in Contemporary Art”, Ikon Gallery, Birmingham, England; Traveled

“Four Decades”, P·P·O·W, New York, USA

“Histories (Re)membered”, The Bronx Museum of Art, New York, USA

“In Visible Light”, Moderna Museet, Stockholm, Sweden

“Making Pictures: Women and Photography, 1975–Now”, Toale Gallery, Boston, USA

“No Small Feat”, Rhona Hoffman Gallery, Chicago, USA

“Original Visions: Women, Art and the Politics of Gender”, Boston College Museum of Art, Museum

“A Palette in a Pen’s World”, Georgia Museum of Art, Acworth, GA, USA

“Tell Me a Story: Narration in Contemporary Painting and Photography”, Centre National d’Art Contemporain de Grenoble, Grenoble, France

“Years Ending in Nine”, The Museum of Fine Arts, Houston

1996-1997

“Burning Issues: Contemporary African American Art”, Fort Lauderdale Museum of Art, Florida, USA, curated by Laurence Palmer (Catalogue; text by A. M. Weaver)

1996

“Act/Language: Power and Display”, The Institute for Research on the African Diaspora in the Americans and the Caribbean, Y Building, City University of New York, New York, USA

“Embedded Metaphor”, Independent Curators International, John and Mable Ringling Museum of Art, Sarasota, Florida; Traveled to: Western Gallery, Western Washington University, Bellingham, Washington; Bowdoin College Museum of Art, Brunswick, Maine; Virginia Beach Center for the Arts, Virginia Beach; Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut; Pittsburgh Center for the Arts, Pennsylvania; curated by Nina Felshin

“From Here I Saw What Happened and I Cried”, Bienale Firenze 96, Florence, Italy

“Gender-Beyond Memory”, Tokyo Metropolitan Museum of Photography, Tokyo, Japan; Curated by Michiko Kasahara,

“Herkunft, Winterthur Fotomuseum”, curated by Urs Stahel, Winterthur, Switzerland

“Inclusion/Exclusion”, Art in the Age of Post Colonialism and Global Migration, Steirischer Herbst, Graz, Austria

“Inside the Visible”, Institute of Contemporary Art, Boston; The National Museum of Women in the Arts, Washington, D.C. Traveled internationally

“Tragic Wake: The Legacy of Slavery and the African Diaspora in Contemporary Art”, Spirit Square Center for Arts and Education, Middletown McMillan Gallery, Charlotte, North Carolina, USA

“Transforming the Social Order”, Tyler Galleries, Tyler School of Art, Temple University, Philadelphia, Pennsylvania, USA

1995-2000

It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art”,organized by Phoenix Museum of Art, Arizona. Traveled to: Contemporary Arts Center, Cincinnati, Ohio, 1995–1996; Lakeview Museum of Arts and Sciences, Peoria, Illinois, 1996; Virginia Beach Center of the Arts, Virginia Beach, 1996; Tacoma Art Museum, Tacoma, Washington, 1996; Jacksonville Museum of Art, Florida, 1996; Bedford Gallery, Regional Center for the Arts, Walnut Creek, Californai, 1996–1997; Phoenix Art Museum, Arizona, 1997; North Carolina Museum of Art, Raleigh, 1997; Lowe Art Museum, University of Miami, 1997–1998; Milwaukee Art Museum Milwaukee, Wisconsin, 1998; Arkansas Art Center, Little Rock, 1998; Fresno Metropolitan Museum, Fresno, California, 1998; Austin Museum of Art, Texas, 1999–2000

1995

‘95 Kwangju Biennale, Seoul, Korea

“Art About Life: Contemporary American Culture”, Fine Arts Gallery, Indiana University, Bloomington, USA

“StoryLand: Narrative Vision and Social Space”, Walter Phillips Gallery,The Banff Center for the Arts, Banff, Canada

1994-1995

“Black Male”, Representations of Masculinity in Contemporary American Art, The Whitney Museum of American Art, New York. Traveled to: The Armand Hammer Museum of Art, Santa Monica, California, USA

“Imagining Families: Images and Voices”, The Smithsonian Institution, Washington, D.C., USA

1994

“Equal Rights and Justice: Reflections on Rights”, High Museum of Art, Atlanta, Georgia, USA

“Bad Girls”, Part 1, The New Museum of Contemporary Art, New York

“Gesture and Pose”, Museum of Modern Art, New York, USA

“Who’s Looking at the Family?”, Barbican Art Gallery, Barbican Centre, London, England

“Women’s Representation of Women”, organized by Sapporo American Center Gallery, Sapporo, Japan; Traveled to: Aka Renga Cultural Center, Fukuoka City, Japan; Kyoto International Community House, Kyoto, Japan; Aichi Prefectural Contemporary Arts Center, Japan; Spiral Arts Center, Tokyo, Japan

1993-1994

“States of Loss: Migration”, Displacement, Colonialism, and Power, Jersey City Museum, Jersey City, New Jersey, USA

“The Theater of Refusal: Black Art and the Mainstream Criticism”, organized by the Fine Arts Gallery, University of California, Irvine; Traveled to: University of California, Davis; University of California, Riverside, USA

1993

“1920: The Subtlety of Subversion/The Continuity of Intervention”, Exit Art/The First World, New York, USA

“Contemporary Women Artists and the Issue of Identity, My/Self: Your/Other”, Castle Gallery, College of New Rochelle, New York, USA

“Enlightenment”, Revolution, A Gallery Project, Ferndale, Michigan, USA

“Image Makers”, Nassau County Museum, Roslyn, New York, USA

“Perceptions and Visions of the African American Photographer”, Rockland Community College, Nyack, New York, USA

“Personal Narratives”, SECCA, Winston–Salem, North Carolina, USA

“The Stationary Store”, Renée Fatouhi Gallery, East Hampton, New York

“There is a World Through Our Eyes: Expanding the Boundaries of  Spirituality, Belief and Movement”, Rockland Center for the Arts, Nyack, New York, USA

“Urban Masculinity”, Longwood Arts Center, Bronx, New York, USA

1992-1994

“Fictions of the Self: The Portrait in Contemporary Photography”, Weatherspoon Art Gallery, University of North Carolina, Greensborough, North Carolina. Traveled to: Herter Art Gallery, University of Massachusetts, Amherst, USA

“Mis/Taken Identities”, organized by University Art Museum, University of California Santa Barbara; Traveled to: Museum of Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum of Modern Art, Humlebaek, Denmark; Western Gallery, Western Washington University, Bellingham, Washington, USA

“Photography: Expanding the Collection”, Whitney Museum of American Art, New York, USA

1991-1992

“Center Margin”, organized by Howard Yezerski Gallery, Boston, 1991;Traveled to: SUNY at Fredonia, Fredonia, New York, 1992

1992

“Art, Politics, and Community”, organized by William Benton Museum of Art, University of Connecticut, Storrs; Traveled to: Tyler School of Art, Temple University, Elkins Park, Pennsylvania, USA

“Center Margins”, Michael C. Rockefeller Arts Center, SUNY Fredonia, Fredonia, New York, USA

“Dirt and Domesticity: Constructions of the Feminine”, Whitney Museum of American Art, New York, USA

“Disclosing the Myth of Family”, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, USA

“Origins and Evolutions”, in association with the National Black Arts Festival, Nexus Contemporary Art, Center, Atlanta, USA

“Present Tense”, Fine Arts Center, University of Wisconsin, Milwaukee, US

“Schwarze Kunst: Konzepte zur Politik und Identitat”, Neue Gesellschaft für bildende Kunst, Berlin, Germany

“Vote”, Terry Dintenfass Gallery, New York, USA Center for Creative Photography, The University of Arizona, Tuscon, USA

1991

“1992: Conquests Do Not Belong Only to the Past”, Intar Gallery, New York

“Affirmative Re-Actions”, curated by Ellen Lawrence, College of the Holy Cross, Worcester, Massachusetts, USA

“The Art of Advocacy, curated by Ellen O’Donnell Rankin, The Aldrich Museum, Ridgefield, Connecticut, USA

“Artists of Conscience: 16 Years of Social and Political Commentary”, Alternative Museum, New York, USA

“At the End of the Day”, Randy Alexander, New York, USA

“Carrie Mae Weems and Jeffrey Hoone”, Camerawork, London, England, UK

“Currents”, Institute of Contemporary Art, Boston, USA

“Disputed Identities”, organized by Presentation House Gallery, North Vancouver, British Columbia, Canada, Traveled to: California Museum of Photography, Riverside, USA

“No Laughing Matter”, organized by Independent Curators International, University of North Texas, Denton; Traveled to: Alberta College Art Gallery, Calgary, Alberta, Canada; Art Gallery, Halifax, Nova Scotia; Sheldon Memorial Art Gallery, Lincoln, Nebraska; Tufts University Art Gallery, Medford, Massachusetts Of Light and Language, Pittsburgh Center for the  Arts, Pittsburgh, Pennsylvania, USA

“Outspoken Women”, Intermedia Arts, Minneapolis, Minnesota, USA

“Pleasures and Terrors of Domestic Comfort”, organized by The Museum of Modern Art, New York; Traveled to: The Los Angeles County Museum of Art; Baltimore Museum of Art, Maryland; Contemporary Arts Center, Cincinnati, USA

“Reframing the Family”, Artists Space, New York, USA

“Sexuality, Image and Control”, Houston Center for Photography, Houston

“Through the Kitchen Door”, N.A.M.E., Chicago, USA Whitney Biennial, The Whitney Museum of American Art, New York

1990

“Spent: Currency, Security, and Art on Deposit”, Marine Midland Bank in conjunction with The New Museum of Contemporary Art, New York, USA

“Biological Factors”, March/May, Nexus Gallery, Atlanta, USA

“Black Women Photographers”, Ten-8, London, England

“Cultural Diversity”, Southern Illinois University, Carbondale; Traveled to: School 33 Art Center, Baltimore, Maryland

“The Empire’s New Clothes”, Camerawork, London, England Group Exhibition, Camera Work, San Francisco

“Other Voices”, February, University Art Museum, Southern Illinois University at Carbondale, USA

“The Power of Words: An Aspect of Recent Documentary Photography”, P·P·O·W, New York, USA

“Presumed Identities”, Real Art Ways, Hartford, CT, USA

“Recent Works”, CEPA Gallery, Buffalo, New York, USA

“Signs of Self: Changing Perceptions”, Woodstock Artists Association, Woodstock, New York, USA

“Trouble in Paradise”, MIT List Visual Arts Center, Boston, USA

“Urban Home”, Studio Museum, Harlem, New York, USA

“Who Counts?”, February/March, Randolph Street Gallery, Chicago

1989

“Black Photographers Bear Witness: 100 Years of Social Protest”, Williams College Museum of Art, Williamstown, Massachusetts, USA

“Black Women Photographers”, LeMois de la Photo a Montreal, Montreal, Canada

“Self Portrayals”, University Art Museum, SUNY Binghampton, New York

1988

“Four West Coast Photographers”, Vanderbilt University Art Gallery, Nashville, USA

“Herstory: Black Women Photographers”, Firehouse Gallery, Houston

“The Other”, The Houston Center for Photography, Texas, USA

“Prisoners of Image”, 1800-1988, Alternative Museum, New York

1987

“Documenta B”, The Castle, Kassel, Germany

“Edict and Episode: Image as Meaning”, Installation Gallery, San Diego

“Visible Differences”, Centro Cultural de la Raza, San Diego, USA

1986

“America: Another Perspective”, New York University, New York, USA

“Past, Present, Future”, The New Museum, New York, USA

“People Close Up”, Fisher Gallery, University of Southern California, Los Angeles, USA

“Relations”, Los Angeles Center for Photographic Studies, Los Angeles

1985

“Analysis and Passion: Photography Engages Social and Political Issues”, Eye Gallery, San Francisco, USA

1981

“Multi-Cultural Focus”, Barnsdall Art Gallery, Los Angeles, USA

“Women in Photography”, Cityscape Photo Gallery, Pasadena, CA, USA

1980

“Black Artists in Los Angeles”, Brockman Gallery, Los Angeles, USA

“Contemporary Black Photographers”, San Francisco State University, San Francisco, USA Women’s Work, Los Angeles Women’s Building, Los Angeles, USA

 

 

 
Collections

21c Museum, Louisville, KY

Akron Art Museum, OH

Albright Knox Museum, Buffalo, NY

The Alfond Collection of Contemporary Art for Rollins College, Winter Park, FL The Art

Institute of Chicago, IL

Asheville Art Museum, Asheville, NC

The Baltimore Museum of Art, Baltimore, MD

Birmingham Museum of Art, Alabama

Bronx Museum, NY

Brooklyn Museum, NY

Cantor Arts Center at Stanford University, CA

Centro Andaluz de Arte Contemporaneo, Sevilla, Spain

Chrysler Museum of Art, Norfolk, Virginia

Colby College Museum of Art, Waterville, ME

Columbus Museum of Art, Columbus, OH

Currier Museum of Art, Manchester, NH

Exit Art, New York City, NY

The Fabric Workshop and Museum, Philadelphia, PA

Fotomuseum Winterthur, Winterthur, Switzerland

Fine Arts Museum of San Francisco, San Fransisco, CA

George Eastman House, Rochester, NY

The Harn Museum, Gainsville, FL

Huntington Museum of Art, Huntington, West Virginia

Los Angeles County Museum of Art – LACMA, Los Angeles, CA

LSU Museum of Art, Baton Rouge, LA 

Ludwig Museum, Cologne, Germany

Mary and Leigh Block Museum of Art at Northwestern University, Evanston, IL Metropolitan

Museum of Art, New York, NY

Miami Art Museum, Miami, FL

MIT List Visual Arts Center, Cambridge, MA

MOCA Grand Avenue, Los Angeles, CA

MCA Chicago, IL

The Museum of Contemporary Photography, Chicago, IL

The Museum of Modern Art, New York, NY

National Academy Museum, New York, NY

National Gallery of Art, Washington, D.C.

National Gallery of Canada, Ottawa, Canada

The Nelson-Atkins Museum of Art, Kansas City, MO Philadelphia Museum of Art, PA

The RISD Museum, Providence, RI

The Rubell Family Collection, Miami, FL

San Francisco Museum of Modern Art, CA

Santa Barbara Museum of Art, Santa Barbara, CA

Seattle Art Museum, Washington

Sheldon Museum of Art, Lincoln, NE

Speed Art Museum, Louisville, KY

Spellman College Museum of Fine Art, Atlanta, GA

Spencer Art Museum, University of Kansas, Lawrence, KS Syracuse University, Syracuse,

NY

Telfair Museums, Savannah, GA

Tang Teaching Museum and Art Gallery, Skidmore College, NY Tate Modern, London,

England

Whitney Museum, New York, NY

Williams College Museum of Art, Williamstown, MA

The University of Michigan Museum of Art, Ann Arbor, MI Virginia Museum of Art,

Richmond, VA