Fernando Bryce

1965

born and lives in Lima, Peru

Education

1986-90

1984-86

1983-84

1982-83

École des Beaux-Arts, Paris, France, with Christian Boltanski

Université Paris VIII Arts Plastiques, France 

Private Studios Leslie Lee, Lima, Peru 

Pontificia Universidad Católica del Perú, Lima, Peru

Awards / Grants

2009

2005

2000

Scholarship at the Deutsche Akademie Rom Villa Massimo, Italy

Arbeitsstipendium Bildende Kunst, Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany 

Prize of the Bienal Nacional de Lima, Peru

Selected Solo Exhibitions

2018

“Freedom First”, Galerie Barbara Thumm, Berlin, Germany

“The Book of Needs”, University Research Gallery, Harvard Arts Museums, Cambridge

2017

“Unvergessenes Land”, Kunsthalle Bremen, Germany

2016

“Paradoxurus adustus / Auf frischer Tat”, Museum für Naturkunde Berlin, Germany

2015

“new work”, Alexander and Bonin, New York, USA

2014

“To The Civilized World“, Galerie Barbara Thumm, Berlin, Germany

2011/12

“Drawing Modern History”, MALI – Museo de Arte de Lima, Peru (touring exhibition: 2012, MUAC/Mexico City, Mexico and MALBA/Buenos Aires, Argentina)

2011

“El Mundo en Llamas”, Alexander & Bonin, New York, USA

2010

“L´Humanité“, Galerie Joan Prats, Barcelona, Spain

2009

“An Approach to the Museo Hawai”, Museum Het Domein, Sittard, Netherlands

2008

Galerie Barbara Thumm, Berlin, Germany

2006

Galerie Joan Prats, Barcelona, Spain

2005

Galerie Barbara Thumm, Berlin, Germany

Tapiés Foundation, Barcelona, Spain

Konstmuseet Malmö, Sweden

2003

Raum für Aktuelle Kunst Luzern, Switzerland

2002

“Visión de la Pintura Occidental”, Galerie Barbara Thumm, Berlin, Germany

“Turismo/El Dorado – Alemania 98”, Künstlerhaus Bethanien, Berlin, Germany

2001

Sala Luis Miró Quesada Garland, Lima, Peru

1999

Casa Museo José Carlos Mariátegui, Lima, Peru

1998

Galerie Barbara Thumm, Berlin, Germany

Galeria Forum, Lima, Peru Studio Galerie, Haus am Lützowplatz, Berlin, Germany

 1997

Rådhusgalleriet, Kungälv, Sweden

Galería Trilce, Lima, Peru

1995

Galería Trapecio, Lima, Peru

1992

Galerie Traude Näke, Nürnberg, Germany

Selected Group Exhibitions

2018

“101 Drawings”, Alexander and Bonin, New York, USA

2017/18

“ZWANZIG”, Galerie Barbara Thumm, Berlin, Germany

2017

“Parapolitics: Cultural Freedom and the Cold War”, curated by Anselm Franke, Nida Ghouse, Paz Guevara, Antonia Majaca and Michael Vazquez, HKW – Haus der Kulturen der Welt, Berlin, Germany

“Next Stop. Peruvian Artists in the Hochschild Collection”, Sala Alcalá 31, Madrid, Spain

“Be My Memory. A Selection of Contempoary Art from Peru”, curated by Miguel A. López, Y Gallery, New York, USA

2015/16

“Displaced Images / Images in Space”, curated by Gerardo Mosquera, Alexia Tala & Vanessa Hernández Gracia, IV Poly/Graphic San Juan Triennial: Latin American and the Caribbean

2015

“Another Part of the New World”, curated by Ferran Barenblit and Elena Yaichnikova, Moscow Museum of Modern Art, Russia

“Der rote Faden”, Kunsthaus Erfurt, Germany

“THEOREM. You Simply Destroy the Image I Always Had of Myself” curated by Octavio Zaya, Mana Contemporary, Jersey City, New Jersey, USA

2014

“No Man’s Land”, Gonzalez y Gonzalez, Lima, Peru

“Slow Future”, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland

“Summerstage”, Galerie Barbara Thumm, Berlin, Germany

“Ravaged – Art and Culture in times of conflict”, M – Museum Leuven, Belgium

2013/14

“LINIE, LINE, LINEA. Zeichnung der Gegenwart”, curated by Volker Adolphs, Casa Republicana, Biblioteca Luis Ángel Arango, Bogotá, Colombia

2013

California – Pacific Triennial, The Orange County Museum of Art, Newport Beach, California, USA

Yerbabuena Center for the Arts, curated by CAAC – Centro Andaluz de Arte Contemporáneo, San Francisco, USA

2013/12

“Futbol. Arte y pasión”, curated by Patrick Charpenel and Mauricio Maillé, Museo de Arte Contemporáneo de Monterrey, Nuevo León, Mexico

“Tracing the Century: Dawings as a Catalyst for Change”, Tate Liverpool, UK Taipei Biennial 2012, curated by Anselm Franke, Taipei, Taiwan

“Tomorrow was already here”, curated by Julieta Gonzales, Museo Rufino Tamayo, Mexico City, Mexico, “Stimuli”, Alexander and Bonin, New York, USA

2011

“A Terrible Beauty Is Born”, 11th Biennale de Lyon, France

“Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance”, Dublin Contemporary 2011, curated by Jota Castro and Christian Viveros- Fauné, Dublin, Ireland 8t Mercosur

Biennial, Porto Alegre, Brazil

“Papiers Inspirés”, Fonds Canson pour l‘art et le papier, l‘Hotel de Sauroy, Paris, France

“11th Biennale de Lyon”, France “Historias de la Vida Material”, Fundación Helga de Alvear, Cáceres, Spain

“Drawn from Photography”, The Drawing Center, New York, USA

“Compass in Hand: Selection from the Judith Rothschild Foundation Contemporary Drawungs Collection”, Martin Gropius Bau, Berlin, Germany

2010

“Model Kits. Thinking Latin America from The MUSAC Collection”, MUSAC – Museo de Arte Contemporáneo de Castilla y León, Spain

“Artes Mundi 4 – Arts of the world”, National Museum Cardiff, Cardiff, UK

“Linie. Line. Linea. Zeichnung der Gegenwart”, organised by Institut für Auslandsbeziehungen e.V. (ifa), Kunstmuseum Bonn, Germany

“Die Nacht der Villa Massimo”, February 25th , Martin-Gropius-Bau, Berlin, Germany

2009

“Berlin meets Vienna”, Salon Österreich, curated by Peter Lang, Austria

“Conflicting Tales: Subectivity (Quadrilogy, Part 1)“, The Burger Collection, Berlin, Germany

“Desenhos [Drawings]: A-Z”, Museu da Cidade, Lisbon, Portugal

“Compass in Hand: Selection from the Judith Rothschild Foundation Contemporary Drawings Collection”, Museum of Modern Art, New York, USA

“Pabellón de la Urgencia, Murcia. The Fear Society”, curated by Jota Castro, Biennale Venezia 53rd International Art Exhibition, Italy “The End of the Line: Attitudes in Drawing”,

Hayward Touring, in coll. Middlesbrough Institute of Modern Art (MIMA) and The Bluecoat, Liverpool, and in partnership with The Drawing Room, London; Middlesbrough Institute of Modern Art, Middlesbrough; Bluecoat, Liverpool; City Museum and Art Gallery, Bristol; The Fruitmarket Gallery, Edinburgh, UK

“El pasado en el presente y lo propio en lo ajeno”, LABoral Centro de Arte y Creación Industrial, Gijón, Spain 10th Biennale of Havana, Cuba

2008/09

“Die Tropen – Ansichten aus der Mitte der Weltkugel”, Martin Gropius Bau, Berlin, Germany

“Ritornell”, Galerie im Taxispalais, Insbruck, Austria

2008

28th Bienal de Sao Paolo, Brazil

“Brave New Worlds”, Colección Jumex, Mexico

2007/08

“Os Trópicos/Die Tropen”, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil

2007

“Taking Time/Tiempo al Tiempo”, MARCO, Museo de Arte Contamporánea de Vigo, Spain

“Otras Contemporaneidades, Convivencias Problemáticas”, in Encuentro entre dos Mares – Bienal de Sao Paulo – Valencia, Spain

“Made in Germany”, Sprengel Museum Hannover, Kunstverein Hannover, Kestner Gesellschaft, Hannover, Germany

“Poetics of the Handmade“, MOCA, Los Angeles, USA

“Existencias. Colección MUSAC”, MUSAC, León, France

“Brave New Worlds”, Walker Art Center, Minneapolis, USA

2006/07

“Out of Time: A Contemporary View”, Museum of Moder Art, New York, USA

“VAC – Colección Valencia Arte Contemporáneo”, IVAM, Valencia, Spain

2006

“I Walk the Lines”, Galerie Barbara Thumm, Berlin, Germany

“Abgebrannt”, Kunstbank in Berlinische Galerie, Berlin, Germany

“Mental Image”, Kunstmuseum St. Gallen, St. Gallen, Schweiz

“SPEED”, Galerie Barbara Thumm, Berlin, Germany

“Down by Law”, Whitney Museum of American Art, New York, USA

“Michael Borremans, Fernando Bryce, Dan Perjovschi. Zeichnungen”, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany

2005/06

“T1 – The Pantagruel Syndrome”, Triennale Turin, Castello di Rivoli Museo d‘arte Contemporanea Torino, curated by Francesco Bonami and Carolyn Christov-Bakargiev, Turin, Italy

“Drawing from the Modern 1975-2005“, curated by Jordan Kantor, MoMA, New York, USA

“Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper.”, Andrea Rosen Gallery, New York, USA

“Monuments for the USA”, White Columns, New York, USA

2005

“Eindhovenistanbul”‚ Van Abbemuseum, Eindhoven, Netherlands

“3 or 4 stories”, Galeria Helga de Alvear, Madrid, Spain Tropical Abstraction, Stedelijk Museum Bureau Amsterdam, Netherlands “Fokus Istanbul – Urbane Realitäten”, Martin-Gropius-Bau, Berlin, Germany

“Monuments for the USA”, CCA Wattis Institute for Contemporary Art, San Francisco, USA

2004/05

54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA

“Instinctive”, Latin American Artists selected by Mario Testino at Andrea Rosen Gallery, New York, USA

2004

26th Biennial of Sao Paulo, Brazil

“Schrift-Bilder-Denken. Walter Benjamin und die Kunst der Gegenwart”, Haus am Waldsee, Berlin, Germany

“Based on a True History”, Artists Space, New York, USA

“MoMA at El Museo: Caribbean and Latin American Art of the Twentieth Century”, El Museo del Barrio, New York, USA

“Termite Art Against White Elephant. Actual Behaviour of Drawing”, Museo Colecciones ICO, Fundacion ICO, Madrid, Spain

3rd Berlin Biennial for Contemporary Art, KW Institute for Cont. Art, Martin-Gropius-Bau, Berlin, Germany

“Global World/Private Universe”, Kunstmuseum St. Gallen, Switzerland

2003

50th Biennial of Venice, Latin-American pavilion (with Gilda Mantilla), Italy

“Poetic Justice/Siirsel Adalet”, curated by Dan Cameron, Istanbul Biennial, Turkey

“To Be Political It Has To Look Nice”, curated by Pablo León de la Barra, Apexart, New York, USA

“Present Perfect”, GB Agency – Christophe Dabiet Théry, Paris, France

“Stranger in the Village. Contemporary Drawings and Photographs from The Museum of Modern Art, New York”, Guild Hall, East Hampton, USA Marlborough Gallery, curated by

Kevin Power, Madrid, Spain

2002/03

“Benjaminiana”, curated by Rodrigo Quijano, Centro Cultual de Espana, Lima, Peru

2002

Manifesta 4 – Europäische Biennale Zeitgenössischer Kunst, Frankfurt/Main, Germany Bienal Iberoamericana de Lima, Peru

Busan Biennale 2002, Seoul, South Korea

“Mallki: La Exhumacion Simbolica en el Arte Peruano 1980-2002”, curated by Gustavo Buntinx, Centro Cultural de San Marcos, Lima, Peru

2001

“Politicas de la Diferencia. Arte Iberoamericano fin de Siglo”, Museo de Arte Latinoamericano de Buenos Aires, Argentinia “Resistencias”, curated by Luis Lama, Casa de America,

Madrid, Spain Track 16 Gallery, Santa Monica, USA

2000

“The Power of Narration: Mapping Stories”, Espai D’Art Contemporani de Castello, Spain Cutting Edge, ARCO, curated by Kevin Power, Madrid, Spain

Bienal Nacional de Lima, Peru

“Dessins”, Galerie Carousel, Paris, France

1999

“El Laberinto de la Choledad”, Museo de Arte de Lima, Peru

“Realidad”, Centro Cultural Ricardo Palmo, Lima, Peru

1998

“Viaje A La Luna”, Centro Cultural de Espana, Lima, Peru

1996

“Techniques and Ideas in Creativity”, The Living Art Museum, Reykjavik, Iceland

Galerie West Werk, Hamburg, Germany

1995

“The Edward Hyde Collection of Contemporary Art”, Galerie West Werk, Hamburg, Germany

Catalogues

2014

“Re-Producing History. Interview with Fernando Bryce”, in: Art and Culture in Times of Conflict. Contemporary Reflections, M – Museum Leuven (Ed.), Leuven 2014, p. 74-81

2012

“Fernando Bryce: Drawing modern history”, exh. cat., Museo de Arte de Lima: MALI

2011

“Kolonial Post”, MUSAC: Museo de Arte Contemporáneo de Castilla y León Sardo, Delfim. Stories of Material Life: People, Places, Things, Events, Fictions. Cáceras, Spain: Centro de Artes Visuales-Fundación Helga de Alvear Cáceres

2010

“Linie. Line. Linea. Zeichnung der Gegenwart”, exh. cat., Institut für Auslandsbeziehungen e.V. (ifa), Elke aus dem Moore (Hrsg.), Stuttgart, Germany 2010

“The Art of Tomorrow”, Hoptman, Laura, Yilmaz Dziewior and Uta Grosenick, Berlin: DISTANZ Verlag

2009

“Américas”, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico

“Compass in Hand”, Selections from The Judith Rothschild Foundation, (exh.cat.), MoMA, Museum of Modern Art, New York, USA, 2009

2007

“Taking Time – Tempo ao Tempo”, exh.cat., MARCO, Museo de Arte Contamporánea de Vigo, Vigo, Spain 2007

“The Tropics: views from the middle of the globe”, exh.cat., Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil, 2007

“Brave New Worlds”, exh.cat., Walker Art Center, Minneapolis, USA 2007

“Made in Germany”, exh.cat., Sprengel Museum Hannover, Kunstverein Hannover, Kestner Gesellschaft, Hannover, Hatje Cantz Verlag, Germany 2007

“Poetics of the Handmade”, exh.cat., Museum of Contemporary Art, Los Angeles, USA, 2007

2006

“Michael Borremans, Fernando Bryce, Dan Perjovschi. Zeichnungen/ Drawings” Württembergischer Kunstverein Stuttgart, Germany, 2006

“Fernando Bryce”, Galeria Joan Prats, Barcelona, Spain, 2006

“Arquivar tormentas. Coleccións ARCO e CGAC”, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain, 2006

2005

“Fernando Bryce. Atlas Peru”, artist book, Museo de Arte de Lima, (ed.), 5 books in a box: Turismo-El Dorado, Atlas Peru 1932-1959, Atlas, Peru 1960-1967, Atlas Peru 1968-1979, Atlas Peru 1980-2001, Lima, Peru 2005

“Drawing from the Modern 1975-2005”, exh. cat., The Museum of Modern Art, New York, USA, 2005

“Urbane Realitäten: Fokus Istanbul”, exh. cat., Martin-Gropius-Bau Berlin, Germany, Künstlerhaus Bethanien GmbH, 2005

“Fernando Bryce”, edited by Helena Tatay, exh. cat., Fundació Antoni Tàpies, essays by Rodrigo Quijano, Kevin Power, Gustavo Buntinx and Helena Tatay, Barcelona, Spain, 2005

“Eindhovenistanbul”‚ exh. cat, Van Abbemuseum, Eindhoven, The Netherlands, 2005

“Monuments for the USA”, exh. cat., CCA Wattis Institute for Contemporary Art, San Francisco, USA, 2005

2004

54th Carnegie International, Carnegie Museum of Art, exh.cat., Pittsburgh, USA, essay by Cuauhtémoc Medina: “On the past as a treasure of images”, p. 86-89

26th Biennial of Sao Paulo, Sao Paulo, Brazil, exh. cat., Sao Paulo 2004, essay by Rodrigo Quijano, p. 72-75

“MoMA at El Museo: Caribbean and Latin American Art of the Twentieth Century“, El Museo del Barrio, New York, USA

3. Berlin Biennial for Contemporary Art, exh. cat., Berlin, Germany 2004, p. 56-57

“Global World/Private Universe“, Kunstmuseum St. Gallen, essay by Konrad Bitterli: “Eintauchen in die Geschichte einer Nation. Fernando Bryces Atlas Peru”, Nürnberg, Germany 2004, p. 38-41

2003

“Fernando Bryce”, Thumm & Kolbe (ed.) in collaboration with Galerie Barbara Thumm, Berlin, Germany 2003

“Poetic Justice / Siirsel Adalet”, 8th International Istanbul Biennial, exh. cat., Istanbul, Turkey 2003

“Archipiélago de Imágenes”, 50esima Esposizione Internazionale d’Arte – Biennale di Venezia, exh. cat., IILA Pavillon – The Countries of Latin America Fernando Bryce, Berlin, Germany 2003

“Diciendo lo que me pasa por la Mente”, exh.cat., Marlborough Galerie, Madrid, Spain

2002

Manifesta 4 – Europäische Biennale Zeitgenössischer Kunst, Manifesta 4 (ed.), Ostfildern-Ruit, Germany Puntos Cardinales 2001 – 4 Artistas visuales peruanos, Lima Bienal

Iberoamericana de Lima, Lima Catalogues Cont., 2001

“Politicas de la Diferencia. Arte Iberoamericano fin de Siglo”, exh. cat., Museo de Arte Latinoamericano de Buenos Aires, Brazil “Resistencias”, Casa de America Track 16 Gallery, Santa Monica, USA

“Politicas de la Diferencia. Arte Iberoamericano fin de Siglo”, exh. cat., Museo de Arte Latinoamericano de Buenos Aires, Brazil “Resistencias”, Casa de America Track 16 Gallery, Santa Monica, USA

“Ich heisse nicht Juanita” Smart Art Press, Santa Monica, USA

2000

“The Power of Narration: Mapping Stories”, Espai D’Art Contemporani de Castello Bienal Nacional de Lima Puntos Cardinales, 2001, Jorge Villacorta, Galeria Luis Miroquesada, Lima, Peru

Own Publications

2003

“Atlas Perú: un essayo artístíco de reconstrucción critica de la Historia de Perú”, in: Humbolt 139, Goethe Institut, Germany

Articles

2014

Tom Peters: “M Museum explores Leuven wartime destruction”,04/15/14 G.D.: “Art and conflict – Theravages of the war”, The Economist, 03/23/14

2013

“The Artist and the Propaganda Machine: How Fernando Bryce Retells 20th-Century History”, Deutsche Bank Art Mag, issue 78

2012

“The Artist and the Propaganda Machine: How Fernando Bryce Retells 20th-Century History”, Deutsche Bank Art Mag, issue 78 2012

Ana Martinez Quijano: “Fernando Bryce: The World through the Line.” Arte al Dia International (Nov. – Dec. 2012), p. 75-77

Isausa Ruiz: “Fernando Bryce.” ArtNexus (No. 85, Volume 11, 2012), p. 92-93.

Lainie Liberti: “Fernando Bryce: His Art and History – A News Worthy Art Exhibit”, 05/17/12

Daniel Quiles: “Fernando Bryce.”, Artforum (March 2012), p. 298

2011

Carlos Jiménez: “A Terrible Beauty is Born: The Lyon Biennial or the Vindication of Literature and Theatricality.” ArtNexus (no. 83 vol. 10), p. 70-76

Elisabeth Kley: “Fernando Bryce.” ARTnews Vol. 110 No. 8. (Sept. 2011), p. 116

2010

Carlos Jiménez: “Fernando Bryce. El copista intempestivo”, in: ArtNexus, No 76, Volume 9, 2010, p. 44-49

Susan Mansfield: “Art review: The End of the Line: Attitudes in Drawing”, The Scotsman, 11/30/09

2009

“Underlining drawing‘s”, The Journal, 02/21/09 “The End of the Line: Attitudes in Drawing”, South Bank Centre, Feburar.

“Swinging the lead”, The Crack magazine, April 2009, p.40

Pitman, Joanna, “Skills from the top drawer”, The Times, March 2009, p. 14

“Ritornell”, kultur-online, 01/17/09

2008

Miriam Basilio: “Fernando Bryce – Drawing, Mimetic Analysis and the Archive”, Arte al Día International, Issue 125, Nov. 2008

“Fernando Bryce”, in: Monopol, Dec. 2008

Ulrich von Döltzschen: “Ein Zeitalter wird besichtigt”, weltonline

Katrin Bettina Müller: “Zeichnungen von Fernando Bryce bei Barbara Thumm”, tip berlin, 12/02/08

Christina Wendenburg: “Südamerikanische Kunst erobert Manhattan”, in: welt.de, 11/29/08

Carlo Trivelli: “Lecciones de historia”, in: El Comercio.com.pe, 11/09/08

Artnet Questionnaire: “Where is Fernando Bryce“, artnet magazine, 10/04/08

2008

Raisa Clavijo: “PINTA returns to New York. Nov. 13-16, at the Metropolitan Pavilion and Altman Building”. Wynwood The Art Magazine online, wam-magazine.com, 2008

Carlos León-Xjiménez: “Fernando Bryce expone en Berlin y en la feria Pinta (Nueva York)”, in: Artmotiv, 2005

Harald Jähner: “Eine Klimazone der Phantasie”, in: Berliner Zeitung Feuilleton, 09/12/08

“Arte latino sorprende en N.Y.”, in: El Periódico.com.co, 15/11/08

Vanja Budde: “Sehnsuchtsorte und mörderische Hitze“, in: Deutschlandradio Kultur, dradio.de, 09/11/08

“Fernando Bryce es el artista invitado de PINTA 2008”, in: arte en la red, 11/08/08

Sigal Ratner-Arias: “Feria PINTA trae más arte latinoamericano a NY”, in: LaPrensa.com, 11/10/08

“La diversidad del arte latinoamericano está en la feria PINTA de Nueva York”, in: soitu.es, 11/13/08 Eva Font Mendiola: “El arte latinoamericano de 53 galerías se reúne en Nueva

York”, in: elpais.co.cr, 11/13/08 Pernilla Holmes: “Artists around the globe are turning Socialist Realism on its head, layering the once-potent tool of propaganda with irony and

nostalgia”, in: ARTnews Volume 107/Number 1 Prensa Asociada: “Feria PINTA trae más arte latinoamericano a NY”, in: New York Daily News Espanol, Nov. 2008

2007

Roberta Smith: “Latin American Modernnism, the Sequel”, The New York Times, Nov. 2007 “Made in Germany Zeitgenössische Kunst aus Deutschland”, in: kultur.ARD.de

2006

Hans-Jürgen Hafner: “Freie Sicht”, in: Spike – Kunstmagazin Nr. 08/2006

Dominic Eichler: “Fernando Bryce People, posters and propaganda; history, copies and drawing”, in: Frieze, 06/07/06

Annika von Taube: “Body Politic”, in sleek 09, winter 2005-2006

2005

 

Peio Aguirre: “Fernado Bryce – Fundació Tàpies”, in: Frieze, Oct.2005

Petra Henninger: “Revolution in Bayrischer Tusche”, in: artnet magazine, 10/11/05

Johannes Wendland: “Revolutionäre Ansichten”, in: Der Tagesspiegel, 09/10/05

Matthias Reichelt: “Gruppenbild mit Comandante”, in: taz, 09/10-11/05

Vera Lauer: “Odisea Bryce”, Caretas/Julio 21, 2005

Carlo Trivelli: “dibujo + historia”, El Comercio, July 2005

Artist‘s Project: “Fernando Bryce Américas”‚ Esopus Magazine, vol. 5, fall 2005

Montse Frisach: “Fernando Bryce, el copista d‘arxius”, Avui, 22. April 05

Roberta Bosco: “La Fundación Tàpies exhibe la peculiar visión de Fernando Bryce sobre el pasado”, El País, April 05

Olga Spiegel: “Bryce exhibe sus reelaborados documentos históricos en la Tàpies”, La Vanguardia, 04/22/05

V. Fernández: “La Fundació Tàpies reúne los dibujos documentales de Fernando Bryce”, La Razón, 04/22/05

James Trainor: “Back. 2004 Carnegie International”, in: Frieze, issue 88, January/February 2005, S. 109

Jaume Vidal Oliveras: “Fernando Bryce: universo Pop Art”, in: El Cultural, 05.05.2005

Katy Siegel: “2004 Carnegie International”, in: Artforum, January 2005, S. 175

2004

Ken Johnson: “Pittsburgh Rounds Up Work Made in Novel Ways”, in: Art Review / Carnegie International, Nov. 2004

Blake Gopnik: “Pick of the Litter”, in: Washington Post, Oct. 2004

Adrian Searle: “Lost in translation”, in: guardian.co.uk, March 2004

2003

Eleanor Heartney: “Mending the Breach”. 8th Istanbul Biennial, in: Art in America, Dec. 2003, no. 12, p. 77-78

Andreas Fanizadeh:”Revolution auf DDR-Papier”, in:die tageszeitung, 08/06/2003, p. 15

Andreas Fanizadeh:“Revolution auf DDR-Papier”, in:die Wochenzeitung, Nr. 33, 08/14/03, p. 19

Elida Roman:“Acertada curaduria”, in:El Comercio, Peru, 01/19/03

Ingo Arend: “Sind Sie gerecht?”, in: Freitag 45, Oct. 2003

2002

Carlo Trivelli:“El sino de Benjamin”, in:El Comercio, Peru, 02/16/02

Doris Bayly:“Zona de Obras”, in:Somos, p. 56 – 60, Peru, Dec. 2002

Johannes Wendland: “Fast wie ein Mönch, Fernando Bryce in der Galerie Barbara Thumm”, in :Zitty 25/2002

Thomas Wagner: “Stapellauf der Unterweltboote – Jung, offen, vernetzt: Die “Manifesta 4” macht Frankfurt zum Zentrum des Kunsttourismus”, in: Frankfurter Allgemeine Zeitung,

Feuilleton, 05/25/2002

Christoph Tannert: “Die Grübelphase ist vorbei – Die Manifesta 4 in Frankfurt am Main will Denkräume und verzichtet dafür auf dramatische Bilder”, in: Berliner Zeitung, 05/30/2002

Kira van Lil, “Direkter Blick auf junge Kunst”, in:ART Nr. 11, Nov. 2002, S. 71-76

1998

“El Museo Hawai: Una Naturaleza Muerta de la Cultura, notas acerca de la serie The Progress of Peru”, Rodrigo Quijano, Hueso Humero, no. 33, Lima, Peru

Collections
ARCO Collection, Madrid, Spain
Berezdivin Collection, Puerto Rico
Burger Collection, Zürich / Hongkong
Helga de Alvear Foundation, Caceres, Spain
Kunstmuseum St. Gallen, Switzerland
Museo de Arte Contemporáneo de Castilla y León, Spain
Museo de Arte Contemporáneo de Buenos Aires, Argentinia
Museo de Arte de Lima, Peru
Pablo and Tinta Henning Collection, Houston, USA
PAMM Museum, Miami, USA
Private Collections (Europe, USA, Latin America)
The Carnegie Museum, Pittsburgh, USA
The Museum of Modern Art, New York, USA
The Tate Modern, London, UK
The Tom Patchett Collection, Santa Monica, USA
VAC Collection, Valencia, Spain