Her body of work is divided into single pieces and performance cycles which operate in synchronicity within the chronological timeline; simultaneously, the performance cycles, create a diverging path where the artist compiles different works to understand the meaning of specific concepts and their effects on the body.

Both (concepts and effects) unfold into dynamics where the presence of the artist functions outside the boundaries of identity. Arjona’s work does not respond to or denounces specific events, the performances their selves, are transformed into questions or bridges uniting distant points of diverse conversations. Her main objective then, is to become a transition, a connecting entity operating as medium of visual communication and energy exchange.