The multimedia oeuvre includes paintings, conceptually conceived, extensive drawing series, large-scale environments, technical media such as slide or video installations, and even cybernetic installations. The trans-disciplinary character underlying many of the work cycles is evident, among others, in the installation „Perfil de la mujer Peruana,“ 1981 (Profile of the Peruvian Woman), which she realized in close cooperation with the psychologist Marie-France Cathelat.

Coming from Pop Art, Burga was co-founder of the Arte Nuevo group in 1966, which used an ironic „pop minimalism“ and realized public happenings. After a short period of study in Chicago (School of the Art Institute of Chicago) from 1969 to 1971, Burga returned to Peru, where she continued her conceptual work, despite all the adverse circumstances.

Teresa Burga’s work was known only to a small public until the 2000s. Her rediscovery is based on the commitment of a then young generation of curators who set out in search of her recent history and at the same time wanted to situate it in an art scene that was becoming more global. Among them were Miguel Lopez, Emilio Tarazone and Dorota Biczel. Teresa Burga opened her archives to them, mediated the contexts, and worked intensively with the young curators to sift through and reconstruct their complex, partly interactive installations. It is thanks in particular to Teresa’s open and cordial manner that the first comprehensive solo exhibition took place in 2010 at the Instituto Cultural Peruano Norteamericano (ICPNA) in Lima and in 2011 at the Württembergischer Kunstverein in Stuttgart. The latter was then also the occasion for the Barbara Thumm Gallery to take on the work and secure it in close association with the Museo de Arte de Lima (MALI). At the same time Teresa Burga was presented to an international audience for the first time at the Istanbul Biennial 2011. This was followed by presentations with several new and historical works at the 56th Venice Biennale by Okwui Enwezor, 2015 or in the traveling exhibition „Radical Women: Latin American Art, 1960-1985“ 2017 – 2018 (Hammer Museum Los Angeles, Brooklyn Museum of Art, New York, Pinacoteca de São Paulo, São Paulo). In 2019, two extensive retrospectives featured her artworks at Migros Museum, Zurich and Kestner Gesellschaft, Hannover.
Hans Christ

A comprehensive reptrospective with the Titel “Aleatory Structures “was presented at the Migros Museum, Zurich and the Kestner Gesellschaft Hannover 2018/2019.
Sculpture Centre in NY ( 2017) and the Malba Museum in Buenos Aires dedicated solo exhibitions to Burga. Burga was the first Peruvian to be shown at the 56th Venice Biennale by Okwui Enwezor at the Istanbul Biennale by Adriano Pedrosa. In 2018, Burga received an honorary doctorate from the Art Institute of Chicago. Her work is in collections internationally, the Art Institute of Chicago, IL; Migros Museum, Zurich, Switzerland; Museum van Hedendaagse Kunst Antwerpen (M HKA), Antwerp, Belgium; Museo de Arte de Lima (MALI), Lima, Peru; Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina; Museum Ludwig, Cologne, Germany; Collection Hochschild, Lima, Peru; Sammlung Verbund Collection, Vienna, Austria; and Thyssen-Bornemisza Art Contemporary Collection, Vienna, Austria. In 2016, the Ministerio de Cultura recognized Burga’s contributions to Peruvian culture by awarding her the Personalidad Meritoria de la Cultura.