Bonde employs a unique technique, using ultra-reflective mirror foil instead of blank canvases, which underscores his belief that no artistic creation emerges from nothing. Instead, he builds upon existing traditions and incorporates additional elements as his process develops. For instance, he paints over the reflective surface with oil, using fierce brushstrokes that seem to explode from within, creating a dynamic interplay of light and color. Bonde‘s compositions, though abstract, vividly evoke the strokes and color palettes of Nordic and other European artists. For instance, Per Kirkeby’s richly textured canvases and depiction of nature translates into Bonde’s abstract landscapes. Similarly, Edvard Munch’s “Self Portrait with the Spanish Flu” influenced Bonde’s compositions, inspiring his use of colors and brushwork. Such references, often subtle and sometimes more explicit, result in a compelling bridging of art historical traditions with a contemporary twist.

Peter Bonde graduated from the Royal Danish Academy of Art in 1982 (Copenhagen, Denmark). He taught at said institution (1996-2005) and at the Fuenen Art Academy (Odense, Denmark, 1994-1996). Bonde represented Denmark along Jason Rhoades at the Venice Biennale in 1999 and showcased his works at the 58th Venice Biennale in Danh Vo’s installation in 2019. Bonde has exhibited at Galerie Barbara Thumm (2024, 2025), the Sorø Kunstmuseum (Sorø, Denmark, 2021), Martin Asbæk Gallery (Copenhagen, Denmark, 2020), David Pestorius Projects (Brisbane, Australia, 2011). His works are part of major private and public collections in Denmark and elsewhere such as the Danish National Gallery, ARoS, Trapholt Museum for Moderne Kunst, Esbjerg Art Museum, Elgiz Collection in Turkey, Kunstmuseum Wolfsburg and Axa Northern Stern in Germany. Bonde lives and works in Copenhagen, Denmark.